“The mythology of the rich in the overproducing nations that the poor are in on some secret about satisfaction – black ‘soul,’ gypsy duende, the noble savage, the simple farmer, the virile game keeper – obscures the harshness of modern capitalist poverty, but it does have a basis, for people who live in voluntary poverty or who are not capital-intensive do have more ready access to erotic forms of exchange that are neither exhausting nor exhaustible and whose use assures their plenty.”
(Lewis Hyde, The Gift: Creativity and the Artist in the Modern World, p. 29.)
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