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<channel>
	<title>with hidden noise</title>
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	<link>http://withhiddennoise.net</link>
	<description>&#34;One thing I&#039;ve learned since I was born / that I must die since I was born&#34; (Robert Filliou)</description>
	<lastBuildDate>Sat, 19 May 2012 07:50:41 +0000</lastBuildDate>
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	<copyright>2009 </copyright>
	<managingEditor>dbvisel@gmail.com (with hidden noise)</managingEditor>
	<webMaster>dbvisel@gmail.com (with hidden noise)</webMaster>
	<ttl>1440</ttl>
	<image>
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		<title>with hidden noise</title>
		<link>http://withhiddennoise.net</link>
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	<itunes:subtitle></itunes:subtitle>
	<itunes:summary>"One thing I've learned since I was born / that I must die since I was born" (Robert Filliou)</itunes:summary>
	<itunes:keywords></itunes:keywords>
	<itunes:category text="Society &#38; Culture" />
	<itunes:author>with hidden noise</itunes:author>
	<itunes:owner>
		<itunes:name>with hidden noise</itunes:name>
		<itunes:email>dbvisel@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>the sacred fount, reduced</title>
		<link>http://withhiddennoise.net/2012/05/19/the-sacred-fount-reduced/</link>
		<comments>http://withhiddennoise.net/2012/05/19/the-sacred-fount-reduced/#comments</comments>
		<pubDate>Sat, 19 May 2012 07:50:41 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[commodities]]></category>
		<category><![CDATA[gertrude stein]]></category>
		<category><![CDATA[guy davenport]]></category>
		<category><![CDATA[henry james]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7238</guid>
		<description><![CDATA[&#8220;Gertrude Stein was a great reader. In novels, Henry James’s for instance, characters talk, and in their nuances lurk the subtlest intricacies of the author’s web. Imagine a text of a novel, say James’s The Sacred Fount (1901), from which everything has been extracted except the dialogue.&#8221; (Guy Davenport, “Late Gertrude,” p. 189 in The [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lulu.com/shop/henry-james/the-sacred-fount-reduced/paperback/product-20133572.html"><img src="http://withhiddennoise.net/wp-content/uploads/sacred-fount-cover.png" alt="" title="sacred-fount-cover" width="300" height="450" class="aligncenter size-full wp-image-7239" /></a></p>
<p style="margin-top:1em;text-indent:0px;">&#8220;Gertrude Stein was a great reader. In novels, Henry James’s for instance, characters talk, and in their nuances lurk the subtlest intricacies of the author’s web. Imagine a text of a novel, say James’s <em>The Sacred Fount</em> (1901), from which everything has been extracted except the dialogue.&#8221;</p>
<p style="text-indent:0px;text-align:right;">(Guy Davenport, “Late Gertrude,” p. 189 in <em>The Hunter Gracchus</em>)</p>
<p style="margin-top:1em;text-indent:0px;">Following Guy Davenport&#8217;s suggestion, here&#8217;s a version of Henry James&#8217;s <em>The Sacred Fount</em> from which everything has been extracted except the dialogue. A print-on-demand version can be purchased at <a href="http://www.lulu.com/shop/henry-james/the-sacred-fount-reduced/paperback/product-20133572.html">Lulu</a>; or, download a <a href='http://withhiddennoise.net/wp-content/uploads/the_sacred_fount_reduced.pdf'>PDF version</a> for free.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>may 1–may 15</title>
		<link>http://withhiddennoise.net/2012/05/16/may-1-may-15/</link>
		<comments>http://withhiddennoise.net/2012/05/16/may-1-may-15/#comments</comments>
		<pubDate>Wed, 16 May 2012 19:11:45 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[media consumption]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7224</guid>
		<description><![CDATA[Books Buzz Poole, I Like to Keep My Troubles on the Windy Side of Things Jerzy Kosinski, Steps Elizabeth Smart, By Grand Central Station I Sat Down and Wept Diane Williams, It Was Like My Trying to Have a Tender-Hearted Nature Clarice Lispector, A Breath of Life, trans. Johnny Lorenz Clarice Lispector, &#193;gua Viva, trans. [...]]]></description>
			<content:encoded><![CDATA[<p>Books</p>
<ul>
<li>Buzz Poole, <em>I Like to Keep My Troubles on the Windy Side of Things</em></li>
<li>Jerzy Kosinski, <em>Steps</em></li>
<li>Elizabeth Smart, <em>By Grand Central Station I Sat Down and Wept</em></li>
<li>Diane Williams, <em>It Was Like My Trying to Have a Tender-Hearted Nature</em></li>
<li>Clarice Lispector, <em>A Breath of Life</em>, trans. Johnny Lorenz</li>
<li>Clarice Lispector, <em>&Aacute;gua Viva</em>, trans. Stefan Tobler</li>
<li>Clarice Lispector, <em>The Passion According to G. H.</em>, trans. Idra Novey</li>
<li>Enrique Vila-Matas, <em>Dublinesque</em>, trans. Anne McLean &amp; Rosalind Harvey</li>
</ul>
<p>Films</p>
<ul>
<li><em>Tiny Furniture</em>, dir. Lena Dunham</li>
<li><em>The Fly</em>, dir. David Cronenberg</li>
</ul>
<p>Exhibits</p>
<ul>
<li>Whitney Biennial</li>
<li>&#8220;Frank Stella: Black, Aluminum, Copper Paintings,&#8221; L &amp; M Arts</li>
</ul>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>april 16–april 30</title>
		<link>http://withhiddennoise.net/2012/05/01/april-16-april-30/</link>
		<comments>http://withhiddennoise.net/2012/05/01/april-16-april-30/#comments</comments>
		<pubDate>Tue, 01 May 2012 04:15:13 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[media consumption]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7203</guid>
		<description><![CDATA[Books Harry Mathews, The Conversions James McCourt, Wayfaring at Waverly in Silver Lake Teju Cole, Open City Eugene Lim, Fog &#38; Car Robert Kelly, Kill the Messenger Robert Walser, The Walk, trans. Christopher Middleton &#38; Susan Bernofsky Films Habemus Papam (We Have a Pope), directed by Nanni Moretti Ruggles of Red Gap, dir. Leo McCarey [...]]]></description>
			<content:encoded><![CDATA[<p>Books</p>
<ul>
<li>Harry Mathews, <em>The Conversions</em></li>
<li>James McCourt, <em>Wayfaring at Waverly in Silver Lake</em></li>
<li>Teju Cole, <em>Open City</em></li>
<li>Eugene Lim, <em>Fog &amp; Car</em></li>
<li>Robert Kelly, <em>Kill the Messenger</em></li>
<li>Robert Walser, <em>The Walk</em>, trans. Christopher Middleton &amp; Susan Bernofsky</li>
</ul>
<p>Films</p>
<ul>
<li><em>Habemus Papam</em> (<em>We Have a Pope</em>), directed by Nanni Moretti</li>
<li><em>Ruggles of Red Gap</em>, dir. Leo McCarey</li>
<li><em>The Two Mrs. Carrolls</em>, dir. Peter Godfrey</li>
<li><em>Marguerite de la nuit</em>, dir. Claude Autant-Lara</li>
<li><em>The Sound of My Voice</em>, dir. Zal Batmanglij</li>
</ul>
<p>Exhibits</p>
<ul>
<li>&#8220;D&uuml;rer and Beyond: Central European Drawings in The Metropolitan Museum of Art,&#8221; Met</li>
<li>&#8220;Naked before the Camera,&#8221; Met</li>
</ul>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>april 1–april 15</title>
		<link>http://withhiddennoise.net/2012/04/16/april-1-april-15/</link>
		<comments>http://withhiddennoise.net/2012/04/16/april-1-april-15/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 03:25:12 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[media consumption]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7177</guid>
		<description><![CDATA[Books Alan Singer, The Inquisitor&#8217;s Tongue Massimo Bontempelli, Separations: Two Novels of Mothers and Children, trans. Estelle Gilson João Fernandes, François Piron, Patrick Besnier &#38; Annie Le Brun, eds., Locus Solus. Impressions of Raymond Roussel Films L&#8217;amour &#224; mort (Love unto Death), directed by Alain Resnais Melancholia, dir. Lars von Trier Another Earth, dir. Mike [...]]]></description>
			<content:encoded><![CDATA[<p>Books</p>
<ul>
<li>Alan Singer, <em>The Inquisitor&#8217;s Tongue</em></li>
<li>Massimo Bontempelli, <em>Separations: Two Novels of Mothers and Children</em>, trans. Estelle Gilson</li>
<li>João Fernandes, François Piron, Patrick Besnier &amp; Annie Le Brun, eds., <em>Locus Solus. Impressions of Raymond Roussel</em></li>
</ul>
<p>Films</p>
<ul>
<li><em>L&#8217;amour &agrave; mort</em> (<em>Love unto Death</em>), directed by Alain Resnais</li>
<li><em>Melancholia</em>, dir. Lars von Trier</li>
<li><em>Another Earth</em>, dir. Mike Cahill</li>
<li><em>A Dangerous Method</em>, dir. David Cronenberg</li>
<li><em>Giulietta degli spiriti</em> (<em>Juliet of the Spirits</em>), dir. Federico Fellini</li>
</ul>
<p>Exhibits</p>
<ul>
<li>&#8220;Beryl Korot: Selected Video Works: 1977 to Present,&#8221; Bitforms</li>
<li>&#8220;Michelangelo Pistoletto: Lavoro,&#8221; Luhring Augustine</li>
<li>&#8220;Speakers&#8217; Corners,&#8221; Eyebeam</li>
<li>&#8220;Mamiko Otsubo: Idea/Equivalent,&#8221; Horton Gallery</li>
<li>&#8220;John Evans: 1984,&#8221; Pavel Zoubok</li>
<li>&#8220;Gu&eth;j&oacute;n Ketilsson: Extensions of the Head: sculptures &#038; works on paper,&#8221; Luise Ross</li>
<li>&#8220;Iran do Espírito Santo,&#8221; Sean Kelly Gallery</li>
</ul>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>reductive arguments</title>
		<link>http://withhiddennoise.net/2012/04/06/reductive-arguments/</link>
		<comments>http://withhiddennoise.net/2012/04/06/reductive-arguments/#comments</comments>
		<pubDate>Fri, 06 Apr 2012 23:26:21 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[commonplace]]></category>
		<category><![CDATA[goncourts]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7189</guid>
		<description><![CDATA[&#8220;Coming away from a violent discussion at Magny&#8217;s, my heart pounding in my breast, my throat and tongue parched, I feel convinced that every political argument boils down to this: &#8216;I am better than you are&#8217;, every literary argument to this: &#8216;I have more taste than you&#8217;, every argument about art to this: &#8216;I have [...]]]></description>
			<content:encoded><![CDATA[<p>&ldquo;Coming away from a violent discussion at Magny&#8217;s, my heart pounding in my breast, my throat and tongue parched, I feel convinced that every political argument boils down to this: &#8216;I am better than you are&#8217;, every literary argument to this: &#8216;I have more taste than you&#8217;, every argument about art to this: &#8216;I have better eyes than you&#8217;, every argument about music to this: &#8216;I have a finer eat than you&#8217;. It is alarming to see how, in every discussion, we are always alone and never make converts. Perhaps that is why God made us two.&rdquo;</p>
<p style="text-indent:0px;margin-top:1em;">(Edmond &amp; Jules de Goncourt, journal entry for 8 June 1863, trans. Robert Baldick.)</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>the accumulation of books</title>
		<link>http://withhiddennoise.net/2012/04/04/the-accumulation-of-books/</link>
		<comments>http://withhiddennoise.net/2012/04/04/the-accumulation-of-books/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 22:45:08 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[commonplace]]></category>
		<category><![CDATA[goncourts]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7186</guid>
		<description><![CDATA[&#8220;The sadness and melancholy of modern times spring from the accumulation of books, in other words from the growth of ideas. The idea is the old age of the spirit and the disease of the mind.&#8221; (Edmond &#38; Jules de Goncourt, journal entry for 10 December 1858, trans. Robert Baldick.)]]></description>
			<content:encoded><![CDATA[<p>&#8220;The sadness and melancholy of modern times spring from the accumulation of books, in other words from the growth of ideas. The idea is the old age of the spirit and the disease of the mind.&#8221;</p>
<p style="margin-top:1em;text-indent:0px;">(Edmond &amp; Jules de Goncourt, journal entry for 10 December 1858, trans. Robert Baldick.)</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>roussel in cleveland</title>
		<link>http://withhiddennoise.net/2012/04/03/roussel-in-cleveland/</link>
		<comments>http://withhiddennoise.net/2012/04/03/roussel-in-cleveland/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 03:03:36 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[images]]></category>
		<category><![CDATA[raymond roussel]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7180</guid>
		<description><![CDATA[An article on Raymond Roussel appeared on page 62 of the 18 December 1910 edition of the Cleveland Plain Dealer, entitled &#8220;Yes He Really Likes to Work&#8221;: &#8220;Raymond Roussel is the most fortunate young millionaire of Paris. He has no handicaps.&#8221;]]></description>
			<content:encoded><![CDATA[<p>An article on Raymond Roussel appeared on page 62 of the 18 December 1910 edition of the <em>Cleveland Plain Dealer</em>, entitled &#8220;Yes He Really Likes to Work&#8221;:</p>
<p><a href="http://withhiddennoise.net/wp-content/uploads/plaindealer.big_.gif"><img src="http://withhiddennoise.net/wp-content/uploads/plaindealer.small_.png" alt="" title="plaindealer.small" width="450" height="516" class="alignnone size-full wp-image-7182" /></a></p>
<blockquote><p>&#8220;Raymond Roussel is the most fortunate young millionaire of Paris. He has no handicaps.&#8221;</p></blockquote>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>march 16–march 31</title>
		<link>http://withhiddennoise.net/2012/04/02/march-16-march-31/</link>
		<comments>http://withhiddennoise.net/2012/04/02/march-16-march-31/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 17:20:08 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[media consumption]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7156</guid>
		<description><![CDATA[Books Tommaso Landolfi, Gogol&#8217;s Wife &#38; Other Stories, trans. Raymond Rosenthal, John Longrigg &#38; Wayland Young Tommaso Landolfi, Words in Commotion, and Other Stories, trans. Kathrine Jason Tommaso Landolfi, An Autumn Story, trans. Joachim Neugroschel Rachel Levitsky, Under the Sun Harry Thurston, A Ship Portrait Anne Carson, Glass, Irony &#38; God Edmund White, Jack Holmes [...]]]></description>
			<content:encoded><![CDATA[<p>Books</p>
<ul>
<li>Tommaso Landolfi, <em>Gogol&#8217;s Wife &amp; Other Stories</em>, trans. Raymond Rosenthal, John Longrigg &amp; Wayland Young</li>
<li>Tommaso Landolfi, <em>Words in Commotion, and Other Stories</em>, trans. Kathrine Jason</li>
<li>Tommaso Landolfi, <em>An Autumn Story</em>, trans. Joachim Neugroschel</li>
<li>Rachel Levitsky, <em>Under the Sun</em></li>
<li>Harry Thurston, <em>A Ship Portrait</em></li>
<li>Anne Carson, <em>Glass, Irony &amp; God</em></li>
<li>Edmund White, <em>Jack Holmes &amp; His Friend</em></li>
<li>Siddhartha Deb, <em>The Beautiful and the Damned: A Portrait of the New India</em></li>
<li>Julio Cort&aacute;zar, <em>A Change of Light, and other stories</em></li>
<li>Alison Knowles, <em>Spoken Text</em></li>
<li>Alison Knowles, <em>Footnotes: collage journal 30 years</em></li>
</ul>
<p>Films</p>
<ul>
<li><em>Meek&#8217;s Cutoff</em>, directed by Kelly Reichardt</li>
<li>Only Angels Have Wings</em>, dir. Howard Hawks</li>
<li><em>Götter der Pest </em> (<em>Gods of the Plague</em>), dir. Rainer Werner Fassbinder</li>
<li><em>La vie est un roman</em> (<em>Life Is a Bed of Roses</em>), dir. Alain Resnais</li>
<li><em>On Approval</em>, dir. Clive Brook</li>
<li><em>La piel que habito</em> (<em>The Skin I Live In</em>), dir. Pedro Almod&oacute;var</li>
</ul>
<p>Exhibits</p>
<ul>
<li>&#8220;Eug&egrave;ne Atget: Documents pour artistes,&#8221; MoMA</li>
<li>&#8220;Exquisite Corpses: Drawing and Disfiguration,&#8221; MoMA</li>
<li>&#8220;Print/Out,&#8221; MoMA</li>
<li>&#8220;Millennium Magazines,&#8221; MoMA</li>
<li>&#8220;Nomads and Networks: The Ancient Art and Culture of Kazakhstan,&#8221; Institute for the Study of the Ancient World</li>
<li>&#8220;Rembrandt and Degas: Portrait of the Artist as a Young Man,&#8221; Met</li>
<li>&#8220;Spies in the House of Art: Photography, Film, and Video,&#8221; Met</li>
<li>&#8220;Natalie Czech: &#8216;I have nothing to say. Only to show.&rsquo;&nbsp;&rdquo; Ludlow 38</li>
</ul>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>(from canto li)</title>
		<link>http://withhiddennoise.net/2012/03/29/from-canto-li/</link>
		<comments>http://withhiddennoise.net/2012/03/29/from-canto-li/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 16:34:35 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[poems]]></category>
		<category><![CDATA[ezra pound]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7168</guid>
		<description><![CDATA[12th of March to 2nd of April Hen pheasant&#8217;s feather does for a fly, green tail, the wings flat on the body Dark fur from a hare&#8217;s ear for a body a green shaded partridge feather &#160;grizzled yellow cock&#8217;s hackle green wax; harl from a peacock&#8217;s tail bright lower body; about the size of pin [...]]]></description>
			<content:encoded><![CDATA[<p>12th of March to 2nd of April<br />
Hen pheasant&#8217;s feather does for a fly,<br />
green tail, the wings flat on the body<br />
Dark fur from a hare&#8217;s ear for a body<br />
a green shaded partridge feather<br />
&nbsp;grizzled yellow cock&#8217;s hackle<br />
green wax; harl from a peacock&#8217;s tail<br />
bright lower body; about the size of pin<br />
the head should be. can be fished from seven a.m.<br />
till eleven; at which time the brown marsh fly comes on.<br />
As long as the brown continues, no fish will take Granham</p>
<p style="margin-top:1em;">(Ezra Pound, from Canto LI.)</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>a picture of savage life</title>
		<link>http://withhiddennoise.net/2012/03/29/a-picture-of-savage-life/</link>
		<comments>http://withhiddennoise.net/2012/03/29/a-picture-of-savage-life/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 05:44:59 +0000</pubDate>
		<dc:creator>dbv</dc:creator>
				<category><![CDATA[commonplace]]></category>
		<category><![CDATA[edward gibbon]]></category>

		<guid isPermaLink="false">http://withhiddennoise.net/?p=7165</guid>
		<description><![CDATA[&#8220;70. Beneventum was built by Diomede, the nephew of Meleager (Cluver, tom. ii. p. 1195, 1196). The Calydonian hunt is a picture of savage life (Ovid. Metamorph. l. viii.). Thirty or forty heroes were leagues against a hog: the brutes (not the hog) quarreled with a lady for the head.&#8221; (Edward Gibbon, The Decline and [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;70. Beneventum was built by Diomede, the nephew of Meleager (Cluver, tom. ii. p. 1195, 1196). The Calydonian hunt is a picture of savage life (Ovid. Metamorph. l. viii.). Thirty or forty heroes were leagues against a hog: the brutes (not the hog) quarreled with a lady for the head.&#8221;</p>
<p><P style="margin-top:1em;text-indent:0px;">(Edward Gibbon, <em>The Decline and Fall of the Roman Empire</em>, vol. IV, chapter XLI; p. 646 in volume 2 of the Penguin edition.)</p>
]]></content:encoded>
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