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- Damon Krukowski & Naomi Yang, Album Exact Change: 20 Years of Publishing
- Unica Zürn, Dark Spring (trans. Caroline Rupprecht)
- Gene Wolfe, The Urth of the New Sun
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(Dick Higgins, pp. 11–17 in Legends & Fishnets; this piece written Autumn 1959, first published in 1960 by Bern Porter as a pamphlet. Back cover copy:
Must a story consist only of what is told? Or can it also lie in the language? Or in the interplay among the ideas and images embodied in the words?
In Legends & Fishnets Dick Higgins sets out to use a whole bevy of unorthodox means of narrative. The legending idea is simply that the image of a person or thing can be reverberated in the mind to ad to its statue – the man or woman may be small, but the shadow can be huge. These stories are told in terms of the shadows and afterimages of the subject. Higgins’s interest in this process is not a recent one – some of the stories were begun as early at 1957, and they were written off and on until 1970. The use of assemblages of participles (and its implicit avoidance of the verb to be) produces a strongly visual effect, heightened by very concrete language. The principle at work is William Carlos Williams’s formula “No idea but in things!” more than some development out of Gertrude Stein’s concept of the continuous present, which these pieces superficially resemble in some ways, and to which Higgins feels sympathetic but unrelated. This the reader will discover when he comes up against Higgins’s emphasis on moral principle (in the lineage of Emerson) and interest in all stages of the time process, not just the present as with Stein.
These stories cover a full range of expression – from the farcical (“Sandals and Stars”) to the comic (“The Temptation of Saint Anthony”) to the nostalgic (“Ivor a Legend”) to the lyrical (“Women, like horses”) and more. If the expression is heightened by the form, then the form is justified. And it is here, on this assumption, that Higgins has hung his hat.
Legends & Fishnets was published by Unpublished Editions in 1976; one notes that Higgins was republishing Gertrude Stein’s work from 1966 to 1973.)
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(From an interview with Michael Silverblatt by Colin Marshall on The Marketplace of Ideas Thursday 19 March 2009; full interview available here.)
“The author of ‘The Golden Age’ and of ‘Dream Days’ has disappointed us. There is no getting away from that melancholy fact. He has written in ‘The Wind in the Willows’, a book with hardly a smile in it, through which we wander in a haze of perplexity, uninterested by the story itself and at a loss to understand its deeper purpose. The chief character is a mole, whom the reader plumps upon on the first page whitewashing his house. Here is an initial nut to crack; a mole whitewashing. No doubt moles like their abodes to be clean; but whitewashing? Are we very stupid, or is this joke really inferior? However, let it pass. Then enters a water rat, on his way to a river picnic, in a skiff, with a hamper of provisions, including cold tongue, cold ham, French rolls, and soda water. Nut number two; for obviously a water rat is of all animals the one that would never use a boat with which to navigate a stream. Again, are we very stupid, or is this nonsense of poor quality? Later we meet a wealthy toad, who, after a tour of England in a caravan, drawn by a horse, becomes a rabid motorist. He is also an inveterate public speaker. We meet also a variety of animals whoso foibles doubtless are borrowed from mankind, and so the book goes on until the end. Beneath the allegory ordinary life is depicted more or less closely, but certainly not very amusingly or searchingly; while as a contribution to natural history the work is negligible. There are neat and fanciful passages; but they do not convince. The puzzle is, for whom is the book intended? Grown up readers will find it monotonous and elusive; children will hope in vain for more fun.”
(E. V. Lucas, review of Kenneth Grahame’s The Wind in the Willows in the Times Literary Supplement, 22 October 1908, pointed out in the 17 October 2008 issue of the same publication. Lucas was also the co-author of the collage-novel What a Life!.)
“11. There is no doubt that all these doctors sought fame by means of some innovation, and irresponsibility trafficked with our lives. This accounts for those wretched arguments at the sick-bed when no two doctors give the same opinion for fear that a colleague’s diagnosis might appear to carry more weight. It also accounts for the sad inscription occurring on some monuments which says: ‘A gang of doctors killed me.’ The art of medicine changes daily and is constantly given a new look: we are swept along by the empty words of Greek intellectuals. It is well known that those who are successful speakers have the power of life and death over us, just as if thousands of people do not exist without doctors or medicine. The Romans did so for more than 600 years, although they are not slow to accept advances – and indeed were even avid for medicine until they put it to the test and rejected it!”
(Pliny the Elder in Book XXIX (“Medicine, Doctors and Medical Practice”) of Natural History; p. 263 in John Healy’s Natural History: A Selection.)
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“111. Some authorities state that groups of shells, like swarms of bees, have an especially large, old shell as their leader – one marvellously skillful at looking out for dangers – and that divers deliberately seek these shells, since, when they are caught, the rest wander aimlessly and are easily trapped in nets. Then they are heavily salted in earthenware pots; the salt eats away all the flesh, and the nuclei, as it were of their bodies, namely the individual pearls, sink to the bottom.”
(Pliny the Elder in Book IX (“Creatures of the Sea”) of Natural History; p. 136 in John Healy’s Natural History: A Selection.)
“104. But why do I mention these trivial matters when shellfish are the prime cause of the decline of morals and the adoption of an extravagant life-style? Indeed, of the whole realm of nature the sea is in many ways the most harmful to the stomach, with its great variety of dishes and tasty fish.
105. But the foregoing pale into insignificance beside the purple-fish, purple robes and pearls. As if it were not enough for the produce of the seas to be stuffed down our throats, it is also worn on the hands, in the ears, on the head and all over the body of women and men alike! What has the sea to do with clothing, the waters and waves to do with wool? The sea receives us in a proper way only when we are without clothes. There may well be a strong alliance between the sea and our stomach, but what connection is there with our backs? Are we not satisfied by feeding on dangerous things without also being clothed by them? Do we get most bodily pleasure from luxuries that cost human life?”
(Pliny the Elder in Book IX (“Creatures of the Sea”) of Natural History; pp. 134–5 in John Healy’s Natural History: A Selection.)