“As writers who follow the call of the vocation and not the pursuit of wealth, our fate is a continuous search for pretexts to postpone the moment of putting the pen to paper.”

(Adolfo Bioy Casares & Silvina Ocampo, Where There’s Love, There’s Hate, trans. Suzanne Jill Levine & Jessica Ernst Powell, p. 90.)

march 1–15, 2013


  • Jack London, The Iron Heel
  • James Tiptree, Jr., Her Smoke Rose Up Forever
  • Charles Fourier, The Hierarchies of Cuckoldry and Bankruptcy, trans. Geoffrey Longnecker
  • René Daumal, Pataphysical Essays, trans. Thomas Vosteen
  • Ursule Molinaro, Positions with White Roses
  • Joanna Ruocco, The Mothering Coven
  • Jenny Davidson, The Magic Circle
  • Shawn Vestal, Godforsaken Idaho


  • 56 Up, directed by Michael Apted

february 15–28, 2013


  • Gertrude Stein, from The Making of Americans, edited by D. Sorensen
  • William Gerhardie, The Polyglots
  • Avram Davidson & Ward Moore, Joyleg
  • William Shakespeare, Measure for Measure
  • Charles Portis, Norwood
  • Ellery Queen (Avram Davidson), And on the Eighth Day
  • Ellery Queen (Avram Davidson), The Fourth Side of the Triangle
  • Peter Hook, Unknown Pleasures: Inside Joy Division
  • Carl Van Vechten, The Tattooed Countess


  • White Zombie, directed by Victor Halperin
  • Ring of Bright Water, dir. Jack Couffer


  • “Dieter Roth. Björn Roth,” Hauser & Wirth
  • “Suzanne Treister: Hexen 2.0,” PPOW
  • “Giorgio Griffa: Fragments 1968–2012,” Casey Kaplan
  • “Alighiero Boetti: La forza del centro,”, Gladstone Gallery
  • “Nancy Spero: From Victimage to Liberation: Works from the 1980s & 1990s,” Galerie Lelong
  • “Tam Van Tran: Leaves of Ore,” Ameringer McEnery Yohe