moravia interviewed

“Like Kierkegaard said, if man is not desperate, he should be. But he must live with it, not die. That seems right to me. I’m against suicide. I favor the Stoic idea that one must live with desperation. It’s also a Christian thing. A real Christian must be desperate. To accept being desperate is not a compromise. It means to live in desperation. To accept desperation means simply not to kill oneself. It doesn’t mean to live in peace. Desperation is a serious matter and requires a certain amount of play-acting as a way to live with desperation. The main thing is not to bother others.”

(From an interview with Alberto Moravia by Gaither Stewart, quoted in an article in Critique which seems to have lost most of its header information. Other pieces by him there: interviews with Dacia Maraini, Federico Fellini, Umberto Eco, and Natalia Ginzburg, as well as a piece on the Etruscans.)

menu 14

“A dream party of some of the most celebrated people of the day, whom one can never hope to meet, or, if met, be remembered by: Einstein, Mr. Charles Chaplin, Freud, Virginia Woolf, Stella Benson, Mussolini, P. G. Wodehouse, Mistinguett, Lydia Lopokova and Jean Cocteau.

TOMATES À L’ESPAGNOL

*

CONSOMMÉ A L’INDIENNE

*

SAUMON EN SURPRISE

*

POULET AUX CHOUX

*

GLACE AUX FRUITS”

(from Ruth Lowinsky, Lovely Food: a cookery notebook, 1931, The Nonesuch Press, London, pp. 54–55. This particular menu is llustrated with a drawing of “flat circles of chromium-plated metal arranged in tiers pierced for candles between which the heads of flowers are placed” by Thomas Lowinsky.)

a story, predictably enough

“MARGARET. All right, Grandma ’ll tell us a story.

GRANDMOTHER. Sit, sit.

Once upon a time there was a poor little boy who had no father and mother; everything was dead and there was no-one left in the whole world. Everything was quite dead, so he went off, whimpering. All day and all night. And since there was no-one left on earth he decided to go up to heaven where the moon shone down so kind. But when he got to the moon it was a lump of rotten wood. Then he went to the sun, but when he got there it was a withered-up sunflower. And when he got to the stars they were little spangled midges stuck there, like the ones shrikes stick on blackthorns. So he went back to the earth, but the earth was an overturned pot. He was completely alone, and he sat down and cried. He’s sitting there still, all alone.”

(Georg Büchner, Woyzeck, p. 31, trans. John Mackendrick)

attempts at apollinaire

VISÉE

À Madame René Berthier

visee

AIM

To Madame René Berthier

aim

(The New Directions edition of Apollinaire, translated by Roger Shattuck, is a facing page edition, but while the French version is laid out as Apollinaire published the poem, there’s been no attempt to lay out the English version. Thus this. These have both been put together in Adobe Illustrator; they’re not accurate to the original &ndasd; presuming that New Directions accurately copied the layout themselves! – because I eyeballed the layout; the type isn’t the same, and the alignment isn’t perfect. Will fix this later.)

stars on heads, towards a logic of

(Previously.)

First:

  • If a star is on the forehead, it can be seen when the bearer looks in the mirror.
  • If a star is on the back of the head, it can’t be seen by the bearer.
  • Also:

  • Another person can easily see a star, whether on the front or the back of the head.
  • A conversation with someone standing in front of you is different from a conversation with someone standing behind you.
  • Although:

  • In the age of mechanical reproduction, a photograph of a star on the back of the head can be easily admired by the person bearing the star.
  • Just as well as by many others.