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“Well, almost any photoist worth his chemicots will tip anyone asking him the teaser that if a negative of a horse happens to melt enough while drying, well, what you do get is, well, a positively grotesquely distorted macromass of all sorts of horsehappy values and masses of meltwhile horse. Tip. Well, this freely is what must have occurred to our missive (there’s a sod of a turb for you! please wisp off the grass!) unfilthed from the boucher by the sagacity of a lookmelittle likemelong hen. Heated residence in the heart of the orangeflavoured mudmound had partly obliterated the negative to start with, causing some features palpably nearer your pecker to be swollen up most grossly while the farther back we manage to wiggle the more we need the loan of a lens to see as much as the hen saw. Tip.”
(Finnegans Wake, pp. 111–2.)
I’d like to have a word
with you. Could we be alone
for a minute? I have been lying
until now. Do you believe
I believe myself? Do you believe
yourself when you believe me? Lying
is natural. Forgive me. Could we be alone
forever? Forgive us all. The word
is my enemy. I have never been alone;
bribes, betrayals. I am lying
even now. Can you believe
that? I give you my word.
(James Tate, from The Lost Pilot.)
Books
Films
“FLAUBERT, GUSTAVE (1821–1880), French novelist, was born at Rouen on the 12th of December 1821. . . . . Flaubert in his youth ‘was like a young Greek,’ full of vigour of body and a certain shy grace, enthusiastic, intensely individual, and apparently without any species of ambition. . . . . Returning to Paris, he wasted his time in sombre dreams, living on his patrimony. . . . . The personal character of Flaubert offered various peculiarities. He was shy, and yet extremely sensitive and arrogant; he passed from silence to an indignant and noisy flow of language. The same inconsistencies marked his physical nature; he had the build of a guardsman, with a magnificent Viking head, but his health was uncertain from childhood, and he was neurotic to the last degree. This ruddy giant was secretly gnawn by misanthropy and disgust of life.”
(Edmund Gosse, LL.D., in the Encyclopædia Britannica, 11th edition, vol. X, p. 483.)
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Exhibits
“ ‘That is perfectly true,’ the president admitted, ‘but their work is also more difficult than ever before. Criminals who operate in the grand manner have all sorts of things at their disposal nowadays. Science has done much for modern progress, but unfortunately it can be of invaluable assistance to criminals as well; the hosts of evil have the telegraph and the motorcar at their disposal just as authority has, and some day they will make use of the airplane.’ ”
(Marcel Allain & Pierre Souvestre, Fantômas, trans. unknown, p. 3.)
Books
Films
“ ‘ “A man should be fixed,” the chairman said. “The board felt that a certain firmness was lacking—”
‘ “That one ought to know his necessity and bow down to it?”
‘ “Yes,” the chairman said, “that’s it.”
‘ “One is what one is?”
‘ “Properly so,” the chairman said, “yes.”
‘ “No,” the young man said. “What you call character is the mere obstinacy of the self, the sinister will’s solipsist I am. One adjusts his humanity to the humanity of others. Not I am, but You are— there’s the necessity. Love cooperates; it plays ball. I hate a chaos. Does the company need me?” ’ ”
(Stanley Elkin, A Bad Man, p. 171–2.)
(B. S. Johnson’s film Fat Man on a Beach, from 1973, in five parts. Via Lee Rourke’s Scarecrow Comment.)