Books

• Alex Shakar, The Savage Girl
• Ingeborg Bachmann, The Thirtieth Year, trans. Michael Bullock
• René Daumal, You’ve Always Been Wrong, trans. Thomas Vosteen
• Marcel Schwob, The Book of Monelle, trans. Kit Schluter
• Azareen Van der Vliet Oloomi, Fra Keeler

Films

• The Lady Vanishes, directed by Alfred Hitchcock
• Dial M for Murder, dir. Alfred Hitchcock
• The Last Picture Show, dir. Peter Bogdanovich
• No Man of Her Own, dir. Mitchell Leisen

Books

• Carmen Laforet, Nada, translated by Edith Grossman
• René Daumal, Mount Analogue, trans. Roger Shattuck
• Clancy Martin, How to Sell
• Chris Ware, Building Stories
• Benjamin Anastas, An Underachiever’s Diary

Films

• Closed Vision, directed by Marc’O
• The Master, dir. Paul Thomas Anderson
• Party Girl, dir. Daisy von Scherler Mayer
• I Walked with a Zombie, dir. Jacques Tourneur
• Sedmikrásky (Daisies), dir. Věra Chytilová
• Irma la Douce, dir. Billy Wilder

Films

• Faces, directed by John Cassavetes
• Made in U.S.A., dir. Jean-Luc Godard
• La decima vittima (The Tenth Victim), dir. Elio Petri
• Serial Mom, dir. John Waters
• Mars Attacks, dir. Tim Burton
• Beetlejuice, dir. Tim Burton
• Head, dir. Bob Rafelson
• Harriet Craig, dir. Vincent Sherman

Exhibits

• “Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan,” Institute for the Study of the Ancient World
• “Robert Adams: On Any Given Day in Spring and Light Balances,” Matthew Marks
• “Jackson Pollock & Tony Smith: Sculpture An Exhibition on the Centennial of their Births,” Matthew Marks
• “Richard Tuttle: Systems, VIII–XII,” Pace
• “Robert Irwin: Dotting the i’s & Crossing the t’s: Part II,” Pace
• “Dorothea Rockburne Works 1967–1972,” Craig F. Starr
• “A Visual Essay on Gutai,” Hauser & Wirth
• “Gego: Origin and Encounter, Mastering the Space,” Americas Society
• “Chris Ware: Building Stories,” Adam Baumgold
• “Duchamp Brothers & Sister,” Francis M. Naumann
• Gerhard Richter, Marian Goodman
• “We the People,” Robert Rauschenberg Foundation
• “Mark Flood: Art Star,” Zack Feuer
• “Zoe Leonard,” Murray Guy
• “Ai Weiwei: Fairytale Chairs/New York Photographs,” Carolina Nitsch Project Room
• “Þórdís Aðalsteinsdóttir: Call on Me with Your Softness,” Stefan Stux Gallery
• “Leonardo Drew,” Sikkema Jenkins & Co.
• “Bernini: Sculpting in Clay,” Met

Books

• Jean-Cristophe Valtat, 03, translated by Mitzi Angel
• Max Frisch, Montauk, trans. Geoffrey Skelton
• Italo Calvino, The Watcher and Other Stories, trans. William Weaver & Archibald Colquhoun
• Elizabeth Smart, The Assumption of the Rogues & Rascals
• Sophie Calle, The Address Book, trans. Pauline Baggio
• Benjamin Anastas, Too Good to Be True

Films

• Le tombeau d’Alexandre (The Last Bolshevik), directed by Chris Marker
• Einstein on the Beach: The Changing Image of Opera, dir. Mark Obenhaus
• Magritte, dir. Adrian Maben
• Cosmopolis, dir. David Cronenberg
• Boxing Helena, dir. Jennifer Chambers Lynch

Exhibits

• “Josef Albers in America: Painting on Paper,” Morgan Library
• “Robert Wilson/Philip Glass: Einstein on the Beach,” Morgan Library
• “Materializing ‘Six Years’: Lucy R. Lippard and the Emergence of Conceptual Art,” Brooklyn Museum

Books

• Fleur Jaeggy, Sweet Days of Discipline, translated by Tim Parks
• Michal Ajvaz, The Other City, trans. Gerald Turner
• Gore Vidal, Julian
• China Miéville, The City & The City
• Félix Fénéon, Novels in Three Lines, trans. Luc Sante
• Jean-Phillipe Toussaint, Running Away, trans. Matthew B. Smith
• Jean-Phillipe Toussaint, Making Love, trans. Linda Coverdale
• Sergio Chejfec, My Two Worlds, trans. Margaret B. Carson

Films

• Le petit soldat, directed by Jean-Luc Godard
• Les Carabiniers, dir. Jean-Luc Godard
• La Chinoise, dir. Jean-Luc Godard
• Plague Summer, dir. Chester Kessler
• La mort du cerf: une chasse à courre à Villiers-Cotterets, dir. Dimitri Kirsanoff
• Image in the Snow, dir. Willard Maas
• Celery Stalks at Midnight, dir. John Whitney
• The Voices, dir. John E. Schmitz
• Episodes in the Life of a Gin Bottle, dir. Bela von Block
• Schichlegruber doing the Lambeth Walk, dir. Charles A. Ridley
• Falling Pink, dir. Robert H. Spring
• Beasts of the Southern Wild, dir. Benh Zeitlin

Exhibits

• “Luis Camnitzer,” Alexander Gray Associates
• “The Feverish Library,” Friedrich Petzel Gallery
• “Penny Slinger: An Exorcism Revisited,” Broadway 1602
• “Yayoi Kusama: Drawings from the mid-50s,” D’Amelio Gallery

Books

• Luis Vaz de Camões, The Lusíads, translated by Landeg White
• Rose Macaulay, They Went to Portugal Too
• Carlotta Monti & Cy Rice, W. C. Fields & Me
• René Belletto, Coda, trans. Alyson Waters

Films

• Will Success Spoil Rock Hunter?, directed by Frank Tashlin

Exhibits

• Museu Monográfico de Conimbriga, Condeixa-a-Nova, Portugal
• Núcleo Museológico, Castelo de São Jorge, Lisbon, Portugal

Books

• Victor Pelevin, The Yellow Arrow, translated by Andrew Bromfield
• Alberto Moravia, Two Friends, trans. Marina Harss
• Alberto Moravia, Conjugal Love, trans. Marina Harss
• Charlotte A. E. Moberly & Eleanor F. Jourdain, An Adventure
• César Aira, The Literary Conference, trans. Katherine Silver
• César Aira, Ghosts, trans. Chris Andrews
• Michael Allen Zell, Errata
• Bruno Schulz, The Street of Crocodiles, trans. Jerzy Ficowski
• Erih Koš, The Strange Story of the Great Whale, Also Known as Big Mac, trans. Lovett F. Edwards
• Joshua Beckman & Jon Beacham, Porch Light (lamp and chair)
• Sacheverell Sitwell, Portugal and Madeira
• Norman Douglas, Some Limericks
• Datus C. Proper, The Last Old Place: A Search Through Portugal

Films

• You Can Count on Me, directed by Kenneth Lonergan
• Laws of Gravity, dir. Nick Gomez
• Boccaccio ’70, dir. Mario Monicelli, Federico Fellini, Luchino Visconti & Vittorio De Sica

Exhibits

• “Last Things & Other Forms: Herbert Pfostl & Jon Beacham,” 222 Roebling Street
• “The Dawn of Egyptian Art,” Met
• “Ellsworth Kelly: Plant Drawings,” Met
• “Paintings on Parchment: Italian Renaissance Illuminations from the Robert Lehman Collection,” Met

Books

• John Ashbery, April Galleons
• Julio Cortázar, The Winners, trans. Elaine Kerrigan
• Erica Baum, Dog Ear
• Amaranth Borsuk, Handcraft
• Cees Nootebaum, The Following Story, trans. Ina Rilke

Films

• Naked Lunch, directed by David Cronenberg
• Charade, dir. Stanley Donen
• Magic Mike, dir. Steven Soderbergh
• Der amerikanische Soldat (The American Soldier), dir. Rainer Werner Fassbinder
• Das blaue Licht (The Blue Light), dir. Leni Riefenstahl
• Lisbon Story, dir. Wim Wenders

Books

• Ben Gocker, The Pisces
• Anthony Madrid, I Am Your Slave Now Do What I Say
• Clarice Lispector, The Hour of the Star, trans. Benjamin Moser
• Mary Gaitskill, Veronica
• St. Augustine, Confessions, trans. R. S. Pine-Coffin

Films

• Les Vampires, directed by Louis Feuillade
• M. Butterfly, dir. David Cronenberg

Exhibits

• “Carl Andre/John Wesley: Serial Forms,” Mitchell-Innes & Nash
• “Hélio Oiticica: Penetrables,” Galerie Lelong
• “Rachel Harrison: The Help,” Greene Naftali
• “Heinrich Kuehn and his American Circle: Alfred Stieglitz and Edward Steichen,” Neue Galerie
• “Gustav Klimt: 150th Anniversary Celebration,” Neue Galerie
• “Sharon Lockhart | Noa Eshkol,” LACMA
• “Children of the Plumed Serpent: The Legacy of Quetzalcoatl in Ancient Mexico,” LACMA
• “Chris Burden: Metropolis II,” LACMA
• “Michael Heizer: Levitated Mass,” LACMA

Books

• William Carlos Williams, Paterson
• Leonard Koren, Making Wet: The Magazine of Gourmet Bathing
• W. G. Sebald, Vertigo, trans. Michael Hulse
• Stan Mir, Song & Glass
• W. G. Sebald, The Emigrants, trans. Michael Hulse

Films

• The Bat Whispers, directed by Roland West
• The Mission, dir. Roland Joffé
• Dark Victory, dir. Edmund Goulding
• The Gay Divorcee, dir. Mark Sandrich
• Prometheus, dir. Ridley Scott
• Quatermass and the Pit, dir. Roy Ward Baker

Exhibits

• “An Accumulation of Information Taken from Here to There,” Sperone Westwater
• “William Wegman: Artists Including Me,” Sperone Westwater
• “Hannah Whitaker: The Use of Noise,” Thierry Goldberg Gallery
• “Ecstatic Alphabets/Heaps of Language,” MOMA