Books

• Victor Pelevin, The Yellow Arrow, translated by Andrew Bromfield
• Alberto Moravia, Two Friends, trans. Marina Harss
• Alberto Moravia, Conjugal Love, trans. Marina Harss
• Charlotte A. E. Moberly & Eleanor F. Jourdain, An Adventure
• César Aira, The Literary Conference, trans. Katherine Silver
• César Aira, Ghosts, trans. Chris Andrews
• Michael Allen Zell, Errata
• Bruno Schulz, The Street of Crocodiles, trans. Jerzy Ficowski
• Erih Koš, The Strange Story of the Great Whale, Also Known as Big Mac, trans. Lovett F. Edwards
• Joshua Beckman & Jon Beacham, Porch Light (lamp and chair)
• Sacheverell Sitwell, Portugal and Madeira
• Norman Douglas, Some Limericks
• Datus C. Proper, The Last Old Place: A Search Through Portugal

Films

• You Can Count on Me, directed by Kenneth Lonergan
• Laws of Gravity, dir. Nick Gomez
• Boccaccio ’70, dir. Mario Monicelli, Federico Fellini, Luchino Visconti & Vittorio De Sica

Exhibits

• “Last Things & Other Forms: Herbert Pfostl & Jon Beacham,” 222 Roebling Street
• “The Dawn of Egyptian Art,” Met
• “Ellsworth Kelly: Plant Drawings,” Met
• “Paintings on Parchment: Italian Renaissance Illuminations from the Robert Lehman Collection,” Met

Books

• John Ashbery, April Galleons
• Julio Cortázar, The Winners, trans. Elaine Kerrigan
• Erica Baum, Dog Ear
• Amaranth Borsuk, Handcraft
• Cees Nootebaum, The Following Story, trans. Ina Rilke

Films

• Naked Lunch, directed by David Cronenberg
• Charade, dir. Stanley Donen
• Magic Mike, dir. Steven Soderbergh
• Der amerikanische Soldat (The American Soldier), dir. Rainer Werner Fassbinder
• Das blaue Licht (The Blue Light), dir. Leni Riefenstahl
• Lisbon Story, dir. Wim Wenders

Books

• Ben Gocker, The Pisces
• Anthony Madrid, I Am Your Slave Now Do What I Say
• Clarice Lispector, The Hour of the Star, trans. Benjamin Moser
• Mary Gaitskill, Veronica
• St. Augustine, Confessions, trans. R. S. Pine-Coffin

Films

• Les Vampires, directed by Louis Feuillade
• M. Butterfly, dir. David Cronenberg

Exhibits

• “Carl Andre/John Wesley: Serial Forms,” Mitchell-Innes & Nash
• “Hélio Oiticica: Penetrables,” Galerie Lelong
• “Rachel Harrison: The Help,” Greene Naftali
• “Heinrich Kuehn and his American Circle: Alfred Stieglitz and Edward Steichen,” Neue Galerie
• “Gustav Klimt: 150th Anniversary Celebration,” Neue Galerie
• “Sharon Lockhart | Noa Eshkol,” LACMA
• “Children of the Plumed Serpent: The Legacy of Quetzalcoatl in Ancient Mexico,” LACMA
• “Chris Burden: Metropolis II,” LACMA
• “Michael Heizer: Levitated Mass,” LACMA

Books

• William Carlos Williams, Paterson
• Leonard Koren, Making Wet: The Magazine of Gourmet Bathing
• W. G. Sebald, Vertigo, trans. Michael Hulse
• Stan Mir, Song & Glass
• W. G. Sebald, The Emigrants, trans. Michael Hulse

Films

• The Bat Whispers, directed by Roland West
• The Mission, dir. Roland Joffé
• Dark Victory, dir. Edmund Goulding
• The Gay Divorcee, dir. Mark Sandrich
• Prometheus, dir. Ridley Scott
• Quatermass and the Pit, dir. Roy Ward Baker

Exhibits

• “An Accumulation of Information Taken from Here to There,” Sperone Westwater
• “William Wegman: Artists Including Me,” Sperone Westwater
• “Hannah Whitaker: The Use of Noise,” Thierry Goldberg Gallery
• “Ecstatic Alphabets/Heaps of Language,” MOMA

Books

• Diane Williams, Excitability: Selected Stories 1986–1996
• Alison Bechdel, Are You My Mother?: A Comic Drama
• Tatyana Tolstaya, The Slynx, trans. Jamey Gambrell
• Kenneth Anger, Hollywood Babylon

Films

• Wild Combination: A Portrait of Arthur Russell, directed by Matt Wolf
• Céline et Julie vont en bateau (Céline and Julie Go Boating), dir. Jacques Rivette
• The People vs. Paul Crump, dir. William Freidkin
• Thin Blue Line, dir. William Freidkin
• To Live and Die in L.A., dir. William Freidkin
• Impressionen unter Wasser, dir. Leni Riefensthal
• Purple Rain, dir. Albert Magnoli

Exhibits

• “Italian Futurists: Concepts and Imaginings,” NYU Casa Italiana Zerilli Marimò
• “Storied Past: Four Centuries of French Drawings from the Blanton Museum of Art,” Grey Art Gallery
• “Soledad Arias: On Air,” RH Gallery
• “Text in Process,” RH Gallery
• “Ugly Duckling Presse,” RH Gallery
• “Domenico Gnoli: Paintings 1964–1969,” Luxembourg & Dayan
• “Edouard Vuillard: A Painter and His Muses, 1890–1940,” Jewish Museum
• “Picasso and Françoise Gilot: Paris–Vallauris 1943–1953,” Gagosian
• “Bound: Hans Bellmer & Unica Zürn,” Ubu Gallery
• “Frank Stella: New Work,” FreedmanArt
• “Larry Rivers: Later Works,” Tibor de Nagy
• “Francesca Woodman,” Guggenheim
• “Tomás Saraceno: Cloud City,” Met
• “Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo,” Met

Books

• Buzz Poole, I Like to Keep My Troubles on the Windy Side of Things
• Jerzy Kosinski, Steps
• Elizabeth Smart, By Grand Central Station I Sat Down and Wept
• Diane Williams, It Was Like My Trying to Have a Tender-Hearted Nature
• Clarice Lispector, A Breath of Life, trans. Johnny Lorenz
• Clarice Lispector, Água Viva, trans. Stefan Tobler
• Clarice Lispector, The Passion According to G. H., trans. Idra Novey
• Enrique Vila-Matas, Dublinesque, trans. Anne McLean & Rosalind Harvey

Films

• Tiny Furniture, dir. Lena Dunham
• The Fly, dir. David Cronenberg

Exhibits

• Whitney Biennial
• “Frank Stella: Black, Aluminum, Copper Paintings,” L & M Arts

Books

• Harry Mathews, The Conversions
• James McCourt, Wayfaring at Waverly in Silver Lake
• Teju Cole, Open City
• Eugene Lim, Fog & Car
• Robert Kelly, Kill the Messenger
• Robert Walser, The Walk, trans. Christopher Middleton & Susan Bernofsky

Films

• Habemus Papam (We Have a Pope), directed by Nanni Moretti
• Ruggles of Red Gap, dir. Leo McCarey
• The Two Mrs. Carrolls, dir. Peter Godfrey
• Marguerite de la nuit, dir. Claude Autant-Lara
• The Sound of My Voice, dir. Zal Batmanglij

Exhibits

• “Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art,” Met
• “Naked before the Camera,” Met

Books

• Alan Singer, The Inquisitor’s Tongue
• Massimo Bontempelli, Separations: Two Novels of Mothers and Children, trans. Estelle Gilson
• João Fernandes, François Piron, Patrick Besnier & Annie Le Brun, eds., Locus Solus. Impressions of Raymond Roussel

Films

• L’amour à mort (Love unto Death), directed by Alain Resnais
• Melancholia, dir. Lars von Trier
• Another Earth, dir. Mike Cahill
• A Dangerous Method, dir. David Cronenberg
• Giulietta degli spiriti (Juliet of the Spirits), dir. Federico Fellini

Exhibits

• “Beryl Korot: Selected Video Works: 1977 to Present,” Bitforms
• “Michelangelo Pistoletto: Lavoro,” Luhring Augustine
• “Speakers’ Corners,” Eyebeam
• “Mamiko Otsubo: Idea/Equivalent,” Horton Gallery
• “John Evans: 1984,” Pavel Zoubok
• “Guðjón Ketilsson: Extensions of the Head: sculptures & works on paper,” Luise Ross
• “Iran do Espírito Santo,” Sean Kelly Gallery

Books

• Tommaso Landolfi, Gogol’s Wife & Other Stories, trans. Raymond Rosenthal, John Longrigg & Wayland Young
• Tommaso Landolfi, Words in Commotion, and Other Stories, trans. Kathrine Jason
• Tommaso Landolfi, An Autumn Story, trans. Joachim Neugroschel
• Rachel Levitsky, Under the Sun
• Harry Thurston, A Ship Portrait
• Anne Carson, Glass, Irony & God
• Edmund White, Jack Holmes & His Friend
• Siddhartha Deb, The Beautiful and the Damned: A Portrait of the New India
• Julio Cortázar, A Change of Light, and other stories
• Alison Knowles, Spoken Text
• Alison Knowles, Footnotes: collage journal 30 years

Films

• Meek’s Cutoff, directed by Kelly Reichardt
• Only Angels Have Wings, dir. Howard Hawks
• Götter der Pest (Gods of the Plague), dir. Rainer Werner Fassbinder
• La vie est un roman (Life Is a Bed of Roses), dir. Alain Resnais
• On Approval, dir. Clive Brook
• La piel que habito (The Skin I Live In), dir. Pedro Almodóvar

Exhibits

• “Eugène Atget: Documents pour artistes,” MoMA
• “Exquisite Corpses: Drawing and Disfiguration,” MoMA
• “Print/Out,” MoMA
• “Millennium Magazines,” MoMA
• “Nomads and Networks: The Ancient Art and Culture of Kazakhstan,” Institute for the Study of the Ancient World
• “Rembrandt and Degas: Portrait of the Artist as a Young Man,” Met
• “Spies in the House of Art: Photography, Film, and Video,” Met
• “Natalie Czech: ‘I have nothing to say. Only to show.’ ” Ludlow 38