Films
- The Public Enemy, directed by William A. Wellman
- Rebel without a Cause, dir. Nicholas Ray
- Vivre sa vie, dir. Jean-Luc Godard
Exhibits
- “Lynda Benglis/Robert Morris: 1973–1974,” Susan Inglett
- “Anthony McCall/Finnbogi Pétursson,” Sean Kelly Gallery
- “The Fantastic Tavern: The Tbilisi Avant-Garde,” Casey Kaplan Gallery
- “The Female Gaze: Women Look at Women,” Cheim & Read
- “Naked!” Paul Kasmin Gallery
- “Ed Sanders: Glyphs,” The Arm
- “The Pictures Generation, 1974–1984,” Metropolitan Museum
- “Chris Bertholf: The Mysterious Landscape,” John Davis Gallery, Hudson, New York
Books
- Paul Metcalf, The Assassination
- Paul Metcalf, U.S. Dept. of the Interior
- Paul McDonough & Jane McGriff, editors, Glitch 1
- Kenneth Gangemi, Corroboree
Films
- ¡Que viva México!, directed by Grigori Aleksandrov & Sergei M. Eisenstein
- Romance sentimentale, dir. Sergei M. Eisenstein
- Frauennot – Frauenglück (Misery and Fortune of Women), dir. Sergei M. Eisenstein & Grigori Aleksandrov
- Jungfrukällan (The Virgin Spring), dir. Ingmar Bergman
- In the Loop, dir. Armando Iannucci
Books
- Kenneth Gangemi, The Volcanoes from Puebla
- Brian Evenson, The Open Curtain
- John Krakauer, Under the Banner of Heaven: a Story of Violent Faith
Films
- In a Lonely Place, directed by Nicholas Ray
Books
- Joe Meno, The Boy Detective Fails
- Edmund White, The Farewell Symphony
- John Ajvide Lindqvist, Let the Right One In (trans. Ebba Segerberg)
- Paul McDonough & Jane McGriff, editors, Glitch 2
Exhibits
- “Projects 90: Song Dong,” MoMA
- “In & Out of Amsterdam: Art & Project Bulletin, 1968–1989,” MoMA
- “Larry Rivers: 1950s/1960s,” Tibor de Nagy Gallery
- “Tim Hawkinson,” Pace Wildenstein
Books
- Gabriel Josipovici, Everything Passes
- Roberto Bolaño, Amulet (trans. Chris Andrews)
- Kenneth Gangemi, The Interceptor Pilot
- Jessica Abel, La Perdida
- David Mazzucchelli, Asterios Polyp
Films
- Brüno, directed by Larry Charles
- Tony Manero, dir. Pablo Larrain
Books
- Francis M. Naumann, Bradley Bailey & Jennifer Shahade, Marcel Duchamp: The Art of Chess
- F. Scott Fitzgerald, This Side of Paradise
- Chloe Aridjis, Book of Clouds
- Noël Vexin, Murder in Montmartre (trans. Jonas Berry & Lawrence G. Blochman)
Exhibits
- “Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection,” MoMA
- “James Ensor,” MoMA
Books
- Georges Perec with Harry Mathews, Cantatrix Sopranica L.: Scientific Papers
- Vítězslav Nezval, Valerie and Her Week of Wonders, trans. David Short
- Octavio Paz, The Labyrinth of Solitude, trans. Lysander Kemp
- Geoff Dyer, Jeff in Venice, Death in Varanasi
- Nick Caistor, Mexico City: A Cultural and Literary Companion
- D. H. Lawrence, The Plumed Serpent
Films
- Varsity Show, directed by William Keighley
Exhibits
- “Mimmo Rotella: American Icons and Early Work,” Knoedler & Company
- “Giovanni Battista Piranesi, 1720–1778,” David Tunick, Inc.
- Museo Nacional de Antropología, México D.F.
- Museo Rufino Tamayo, México D.F.
- Museo del Carmen, México D.F.
- Museo León Trotsky, México D.F.
- Museo Frida Kahlo, México D.F.
- Museo Teotihuacán, Teotihuacán
- Colleción Jumex, Ecatepec
- Ex Teresa Arte Actual, México D.F.
- Palacio de Cultura Banamex, México D.F.
- Museo Dolores Olmedo Patiño, México D.F.
- “Paula Hayes: Excerpts from the Story of Planet Thear,” Marianne Boesky Gallery
- “Your Gold Teeth II,” Marianne Boesky Gallery
Books
- Robertson Davies, Fifth Business
- Robertson Davies, The Manticore
- Robertson Davies, World of Wonders
Films
- Libeled Lady, dir. Jack Conway
- Hollywood Hotel, dir. Busby Berkeley
Exhibits
- “Alberto Giacometti: Drawings,” Peter Freeman
- “Raster Noton: The Shop,” e-flux
- “The Generational: Younger Than Jesus,” The New Museum
Books
- James Tate, Selected Poems
Films
- Night Nurse, directed by William A. Wellman
- Wonder Bar, dir. Lloyd Bacon
- Year One, dir. Harold Ramis
Exhibits
- “Chuck Close: Selected Paintings & Tapestries 2005–2009,” Pace Wildenstein
- “The Edge of Vision: Abstraction in Contemporary Photography,” Aperture Gallery
- “Chris Marker: ‘Quelle heure est-elle?’,” Peter Blum