march 9–march 14

Books

  • Gertrude Stein, Gertrude Stein on Picasso, ed. Edward Burns
  • Tracy Daugherty, Hiding Man: A Biography of Donald Barthelme
  • Bruno Schulz, Letters and Drawings of Bruno Schulz, trans. Walter Arndt & Victoria Nelson
  • Max Frisch, Sketchbook 1966–1971, trans. Geoffrey Skelton

Films

  • Tokyo!, directed by Michel Gondry, Leos Carax & Bong Joon-Ho
  • Berlin Alexanderplatz, dir. Rainer Werner Fassbinder, parts X & XI

Exhibits

  • “Louise Nevelson: Dawns and Dusks”, PaceWildenstein
  • “Paul Sharits”, Greene Naftali
  • “Carolee Schneeman: Painting, What It Becomes”, P.P.O.W
  • “Carolee Schneeman: Performance Photographs from the 1970s”, Carolina Nitsch
  • “With Hidden Noise”, David Krut Projects
  • “Ellsworth Kelly: Diagonal”, “Ellsworth Kelly: Drawings 1954–1962”, Matthew Marks
  • “1992009”, D’Amelio Terras

variously noted

march 5–march 8

Books

  • Fanny Trollope, Domestic Manners of the Americans
  • Alfred Döblin, Berlin Alexanderplatz, trans. Eugene Jolas
  • Alberto Moravia, Journey to Rome, trans. Tim Parks
  • Jane Bowles, Two Serious Ladies

Films

  • Entre les murs (The Class), directed by Laurent Cantet
  • Berlin Alexanderplatz, dir. Rainer Werner Fassbinder, parts IX & X

Exhibits

  • “Worshiping Women: Ritual and Reality in Classical Athens”, Onassis Cultural Center
  • “The Artist As Troublemaker”, Austrian Cultural Forum
  • “Martin Kippenberger: The Problem Perspective”, MoMA
  • “Performance 1: Tehching Hsieh”, MoMA
  • “Franz West: Works from the 1990s”, Zwirner & Wirth
  • “Andy Warhol from the Sonnabend Collection”, Gagosian Gallery

you’re so crazy

“Mr. Copperfield chuckled. ‘You’re so crazy,’ he said to her with indulgence. He was delighted to be in the tropics at last and he was more than pleased with himself that he had managed to dissuade his wife from stopping at a ridiculously expensive hotel where they would have been surrounded by tourists. He realized that this hotel was sinister, but that was what he loved.”

(Jane Bowles, Two Serious Ladies, p. 39.)

in the future

“Miss Goering invited Miss Gamelon to dine with her. She found her soothing and agreeable to be with. Miss Gamelon was very much impressed with the fact that Miss Goering was so nervous. Just as they were about to sit down, Miss Goering said that she couldn’t face eating in the dining-room and she asked the servant to lay the table in the parlor instead. She spent a great deal of time switching the lights off and on.

‘I know how you feel,’ Miss Gamelon said to her.

‘I don’t particularly enjoy it,’ said Miss Goering, ‘but I expect in the future to be under control.’ ”

(Jane Bowles, Two Serious Ladies, p. 11.)

march 1–4

Books

  • Leanne Shapton, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry
  • Adalbert Stifter, Rock Crystal, trans. Elizabeth Mayer & Marianne Moore
  • Richard Sennett, The Craftsman

Exhibits

  • “Masterpieces of European Painting from the Norton Simon Museum,” Frick Collection
  • “Pierre Bonnard: The Late Interiors,” Metropolitan Museum
  • “Choirs of Angels: Painting in Italian Choir Books, 1300–1500,” Metropolitan Museum
  • “Walker Evans and the Picture Postcard,” Metropolitan Museum
  • “Brücke: The Birth of Expressionism in Dresden and Berlin, 1905-1913,” Neue Galerie

Films

  • Berlin Alexanderplatz, directed by Rainer Werner Fassbinder, parts VI, VII & VIII
  • Now, Voyager, dir. Irving Rapper

w/ moral

“But, notwithstanding this revolting license, persecution exists to a degree unknown, I believe, in our well-ordered land since the days of Cromwell. I had the following anecdote from a gentleman perfectly well acquainted with the circumstances. A tailor sold a suit of clothes to a sailor a few moments before he sailed, which was on a Sunday morning. The corporation of New York prosecuted the tailor, and he was convicted, and sentenced to a fine greatly beyond his means to pay. Mr. F., a lawyer of New York, defended him with much eloquence, but in vain. His powerful speech, however, was not without effect, for it raised him such a host of Presbyterian enemies as sufficed to destroy his practice. Nor was this all: his nephew was at the time preparing for the bar, and soon after the above circumstance occurred his certificates were presented, and refused, with this declaration, ‘that no man of the name and family of F. should be admitted.’ I have met this young man in society; he is a person of very considerable talent, and being thus cruelly robbed of his profession, has become the editor of a newspaper.”

(Fanny Trollope, Domestic Manners of the Americans, pp. 89–90.)

dro’medary. n.s.

DRO’MEDARY. n.s. [dromedare, Italian.] A sort of camel so called from its swiftness, because it is said to travel a hundred miles a day, and some affirm one hundred and fifty. Dromedaries are smaller than common camels, slenderer, and more nimble, and are of two kinds: one larger, with two small bunches, covered with hair, on its back; the other lesser, with one hairy eminence, and more frequently called camel: both are capable of great fatigue, and very serviceable in the western parts of Asia, where they abound. Their hair is soft and shorn: they have no fangs and foreteeth, nor horn upon their feet, which are only covered with a fleshy skin; and they are about seven feet and a half high, from the ground to the top of their heads. They drink much at a time, and are said to disturb the water with their feet. They keep the water long in their stomachs, which, as some report, travellers in necessity will open for the sake of the water contained in them. The stomach of this animal is composed of four ventricles; and in the second are several mouths, which open a passage into twenty cavities, which serve for conservatories of water. See CAMEL. Calmet.”

(Dr. Johnson, noted here.)