the diplomacy of carus

“The Persians expressed their desire of being introduced to the presence of the Roman emperor. They were at length conducted to a soldier, who was seated on the grass. A piece of stale bacon and a few hard pease composed his supper. A coarse woollen garment of purple was the only circumstance that announced his dignity. The conference was conducted with the same disregard of courtly elegance. Carus, taking off a cap which he wore to conceal his baldness, assured the ambassadors that, unless their master acknowledged the superiority of Rome, he would speedily render Persia as naked of trees as his own head was destitute of hair.”

(Edward Gibbon, The Decline and Fall of the Roman Empire, vol. I, chapter XiI; p. 348 in volume 1 of the Penguin edition.)

how things were in ireland

“14. According to Dr. Keating (History of Ireland, p. 13, 14.), the giant Partholanus, who was the son of Seara, the son of Esra, the son of Sru, the son of Framant, the son of Fathaclan, the son of Magog, the son of Japhet, the son of Noah, landed on the coast of Munster, the 14th day of May, in the year of the world one thousand nine hundred and seventy-eight. Though he succeeded in his great enterprise, the loose behaviour of his wife rendered his domestic life wry unhappy, and provoked him to such a degree, that he killed – her favorite greyhound. This, as the learned historian very properly observes, was the first instance of female falsehood and infidelity ever known in Ireland.”

(Edward Gibbon, The Decline and Fall of the Roman Empire, vol. I, chapter IX; p. 233 in volume 1 of the Penguin edition.)

conduct of the goths at athens

“We are told, that in the sack of Athens the Goths had collected all the libraries, and were on the verge of setting fire to this funeral pile of Grecian learning, had not one of their chiefs, of more refine policy than his brethren, dissuaded them from the design; by the profound observation, that as long as the Greeks were addicted to the study of books, they would never apply themselves to the exercise of arms.”

(Edward Gibbon, The Decline and Fall of the Roman Empire, vol. I, chapter X; p. 282 in volume 1 of the Penguin edition.)

spain

“Spain, by a very singular fatality, was the Peru and Mexico of the old world. The discovery of the rich western continent by the Phœnicians, and the oppression of the simple natives, who were compelled to labour in their own mines for the benefit of strangers, form an exact type of the more recent history of Spanish America.”

(Edward Gibbon, The Decline and Fall of the Roman Empire, vol. I, chapter VI; p. 180 in volume 1 of the Penguin edition.)

the originality of florine stettheimer

“Part of Florine’s originality was that, for her, art was anecdote in an era when all the modern schools had decided that anecdote was what art was not. Duchamp suggested, considering Florine, ‘Why not revive the anecdote in painting?’ Well, why not? An anecdotalism such as Florine’s draws upon a highly cultivated symbolism so that her work echoes the humanist revival in being a miniature Renaissance of one artist.”

(Parker Tyler, Florine Stettheimer: A Life in Art, p. 142.)

october 1–october 15

Books

  • Bilge Karasu, The Garden of Departed Cats, trans. Aron Aji
  • Jerome Rothenberg, ed., Revolution of the Word: A New Gathering of American Avant-Garde Poetry 1914–1945

Films

  • Ossessione, directed by Luchino Visconti
  • Hannah and Her Sisters, dir. Woody Allen
  • Bill Cunningham New York, dir. Richard Press
  • Possessed, dir. Clarence Brown

Exhibits

  • “Beatrice Wood (1893–1998),” Francis M. Naumann Fine Arts
  • “John Beerman: Recent Paintings,” Tibor de Nagy Gallery
  • “Donald Evans: Selected Works,” Tibor de Nagy Gallery
  • “Niki de Saint Phalle: Retrospective 1960–2002,” Nohra Haime Gallery
  • “Gabriel Orozco: Corplegados and Particles,” Marian Goodman Gallery
  • “Richard Serra: Junction/Cycle,” Gagosian
  • “Sterling Ruby/Lucio Fontana,” Andrea Rosen Gallery
  • “Carsten Nicolai: Pionier,” Pace
  • “Matthew Barney: Djed,” Gladstone
  • “Meredyth Sparks: Stripped Bare, Even and Again,” Elizabeth Dee Gallery
  • “Manfred Mohr: 1964–2011, Réflexions sur une esthétique programmée,” Bitforms

il n’y a pas de solution parce qu’il n’y a pas de problème

“But today, when the police no longer exist, things aren’t the same. When there’s a mystery, it goes unexplained. Bizarre cases are no longer solved. And perhaps that’s not a bad thing. In the past, the police had an answer for every question, but now, people realize that they don’t really need answers to every question, and they don’t really need the police either. Consequently, we haven’t even opened an investigation into where the police disappeared to. For two or three russet moons, people organized a collection so that the city might buy back a policeman, bur in the end they used the money for something else, I don’t remember what. New curtains for the school, perhaps.”

(Manuela Draeger, “North of the Wolverines,” p. 48 in In the Time of the Blue Ball, trans. Brian Evenson.)

september 21-september 30

Books

  • Christopher Logue, All Day Permanent Red
  • Manuela Draeger, In the Time of the Blue Ball, trans. Brian Evenson
  • Henry McBride, Florine Stettheimer
  • Ilya Ilf & Evgeny Petrov, Ilf and Petrov’s American Road Trip, ed. Erika Wolf, trans. Anne O. Fisher
  • Elizabeth Sussman & Barbara J. Bloemink, Florine Stettheimer: Manhattan Fantastica
  • Julien Gracq, The Peninsula, trans. Elizabeth Deshays

Films

  • Carnival of Souls, directed by Herk Harvey

Exhibits

  • “De Kooning: A Retrospective,” MoMA
  • “Thing/Thought: Fluxus Editions 1962–1978,” MoMA
  • “Edge of Empires: Pagans, Jews, and Christians at Roman Dura-Europos,” Institute for the Study of the Ancient World

september 1–september 20

Books

  • Dean Inkster & Sébastien Pluot, eds., Anarchism without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Hayden Howard, The Eskimo Invasion
  • Vergil, The Aeneid, trans. Sarah Ruden
  • Robert Kelly, The Book from the Sky
  • Nancy Mackenroth, The Trees of Zharka

Films

  • In einem Jahr mit 13 Monden (In a Year with 13 Moons), directed by Rainer Werner Fassbinder

Exhibits

  • “Projects 95: Runa Islam,” MoMA
  • “I Am Still Alive: Politics and Everyday Life in Contemporary Drawing,” MoMA
  • “Carlito Carvalhosa: Sum of Days,” MoMA
  • “Harun Farocki: Images of War (at a Distance),” MoMA