More precisely, a bad reproduction of it:

There’s a much better reproduction of this in the print edition of this NY Times review of the show at the Cartier-Bresson Foundation, but it’s not on the web. I like this one because it looks like it’s been through too many Photoshop filters.

This part of the Times article is misleading at best:

What Pound felt is impossible to know. Years earlier, he had been interned for mental illness, and in 1960, he lapsed into long periods of depressive silence and stopped writing. And yet, in the image selected by Cartier-Bresson, Pound’s wild hair, burning eyes and tense hands seem to speak volumes about an old man raging against the dying of the light.