“A writer has to meet these dangers as he can and in the very process of writing, as he struggles to find out what it is that he truly has to say. I supposed it is unlikely that he will ever quite succeed. But his reader is in a luckier position, like Marlow’s hearers in Conrad’s Heart of Darkness:
Of course in this you fellows see more than I could see. You see me.
The reader sees what it intended to be said and also, from tone, from the unconscious emphases and the rest, he comes to know the man saying it.”
(Richard Hoggart, The Uses of Literacy: Aspects of Working-Class Life, pp. 7–8.)