against my entire code

“ ‘Since you live so far out of town,’ said Arnold, ‘why don’t you spend the night at my house? We have an extra bedroom.’

‘I probably shall,’ said Miss Goering, ‘although it is against my entire code, but then, I have never even begun to use my code, although I judge everything by it.’ Miss Goering looked a little morose after having said this and they drove on in silence until they reached their destination.”

(Jane Bowles, Two Serious Ladies, p. 19 in My Sister’s Hand in Mine: The Collected Works of Jane Bowles.)

march 9–march 14

Books

  • Gertrude Stein, Gertrude Stein on Picasso, ed. Edward Burns
  • Tracy Daugherty, Hiding Man: A Biography of Donald Barthelme
  • Bruno Schulz, Letters and Drawings of Bruno Schulz, trans. Walter Arndt & Victoria Nelson
  • Max Frisch, Sketchbook 1966–1971, trans. Geoffrey Skelton

Films

  • Tokyo!, directed by Michel Gondry, Leos Carax & Bong Joon-Ho
  • Berlin Alexanderplatz, dir. Rainer Werner Fassbinder, parts X & XI

Exhibits

  • “Louise Nevelson: Dawns and Dusks”, PaceWildenstein
  • “Paul Sharits”, Greene Naftali
  • “Carolee Schneeman: Painting, What It Becomes”, P.P.O.W
  • “Carolee Schneeman: Performance Photographs from the 1970s”, Carolina Nitsch
  • “With Hidden Noise”, David Krut Projects
  • “Ellsworth Kelly: Diagonal”, “Ellsworth Kelly: Drawings 1954–1962”, Matthew Marks
  • “1992009”, D’Amelio Terras

variously noted

march 5–march 8

Books

  • Fanny Trollope, Domestic Manners of the Americans
  • Alfred Döblin, Berlin Alexanderplatz, trans. Eugene Jolas
  • Alberto Moravia, Journey to Rome, trans. Tim Parks
  • Jane Bowles, Two Serious Ladies

Films

  • Entre les murs (The Class), directed by Laurent Cantet
  • Berlin Alexanderplatz, dir. Rainer Werner Fassbinder, parts IX & X

Exhibits

  • “Worshiping Women: Ritual and Reality in Classical Athens”, Onassis Cultural Center
  • “The Artist As Troublemaker”, Austrian Cultural Forum
  • “Martin Kippenberger: The Problem Perspective”, MoMA
  • “Performance 1: Tehching Hsieh”, MoMA
  • “Franz West: Works from the 1990s”, Zwirner & Wirth
  • “Andy Warhol from the Sonnabend Collection”, Gagosian Gallery

you’re so crazy

“Mr. Copperfield chuckled. ‘You’re so crazy,’ he said to her with indulgence. He was delighted to be in the tropics at last and he was more than pleased with himself that he had managed to dissuade his wife from stopping at a ridiculously expensive hotel where they would have been surrounded by tourists. He realized that this hotel was sinister, but that was what he loved.”

(Jane Bowles, Two Serious Ladies, p. 39.)

in the future

“Miss Goering invited Miss Gamelon to dine with her. She found her soothing and agreeable to be with. Miss Gamelon was very much impressed with the fact that Miss Goering was so nervous. Just as they were about to sit down, Miss Goering said that she couldn’t face eating in the dining-room and she asked the servant to lay the table in the parlor instead. She spent a great deal of time switching the lights off and on.

‘I know how you feel,’ Miss Gamelon said to her.

‘I don’t particularly enjoy it,’ said Miss Goering, ‘but I expect in the future to be under control.’ ”

(Jane Bowles, Two Serious Ladies, p. 11.)

march 1–4

Books

  • Leanne Shapton, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry
  • Adalbert Stifter, Rock Crystal, trans. Elizabeth Mayer & Marianne Moore
  • Richard Sennett, The Craftsman

Exhibits

  • “Masterpieces of European Painting from the Norton Simon Museum,” Frick Collection
  • “Pierre Bonnard: The Late Interiors,” Metropolitan Museum
  • “Choirs of Angels: Painting in Italian Choir Books, 1300–1500,” Metropolitan Museum
  • “Walker Evans and the Picture Postcard,” Metropolitan Museum
  • “Brücke: The Birth of Expressionism in Dresden and Berlin, 1905-1913,” Neue Galerie

Films

  • Berlin Alexanderplatz, directed by Rainer Werner Fassbinder, parts VI, VII & VIII
  • Now, Voyager, dir. Irving Rapper

w/ moral

“But, notwithstanding this revolting license, persecution exists to a degree unknown, I believe, in our well-ordered land since the days of Cromwell. I had the following anecdote from a gentleman perfectly well acquainted with the circumstances. A tailor sold a suit of clothes to a sailor a few moments before he sailed, which was on a Sunday morning. The corporation of New York prosecuted the tailor, and he was convicted, and sentenced to a fine greatly beyond his means to pay. Mr. F., a lawyer of New York, defended him with much eloquence, but in vain. His powerful speech, however, was not without effect, for it raised him such a host of Presbyterian enemies as sufficed to destroy his practice. Nor was this all: his nephew was at the time preparing for the bar, and soon after the above circumstance occurred his certificates were presented, and refused, with this declaration, ‘that no man of the name and family of F. should be admitted.’ I have met this young man in society; he is a person of very considerable talent, and being thus cruelly robbed of his profession, has become the editor of a newspaper.”

(Fanny Trollope, Domestic Manners of the Americans, pp. 89–90.)