september 1–september 15

Books

  • Fleur Jaeggy, Sweet Days of Discipline, translated by Tim Parks
  • Michal Ajvaz, The Other City, trans. Gerald Turner
  • Gore Vidal, Julian
  • China Miéville, The City & The City
  • Félix Fénéon, Novels in Three Lines, trans. Luc Sante
  • Jean-Phillipe Toussaint, Running Away, trans. Matthew B. Smith
  • Jean-Phillipe Toussaint, Making Love, trans. Linda Coverdale
  • Sergio Chejfec, My Two Worlds, trans. Margaret B. Carson

Films

  • Le petit soldat, directed by Jean-Luc Godard
  • Les Carabiniers, dir. Jean-Luc Godard
  • La Chinoise, dir. Jean-Luc Godard
  • Plague Summer, dir. Chester Kessler
  • La mort du cerf: une chasse à courre à Villiers-Cotterets, dir. Dimitri Kirsanoff
  • Image in the Snow, dir. Willard Maas
  • Celery Stalks at Midnight, dir. John Whitney
  • The Voices, dir. John E. Schmitz
  • Episodes in the Life of a Gin Bottle, dir. Bela von Block
  • Schichlegruber doing the Lambeth Walk, dir. Charles A. Ridley
  • Falling Pink, dir. Robert H. Spring
  • Beasts of the Southern Wild, dir. Benh Zeitlin

Exhibits

  • “Luis Camnitzer,” Alexander Gray Associates
  • “The Feverish Library,” Friedrich Petzel Gallery
  • “Penny Slinger: An Exorcism Revisited,” Broadway 1602
  • “Yayoi Kusama: Drawings from the mid-50s,” D’Amelio Gallery

august 1–august 15

Books

  • Luis Vaz de Camões, The Lusíads, translated by Landeg White
  • Rose Macaulay, They Went to Portugal Too
  • Carlotta Monti & Cy Rice, W. C. Fields & Me
  • René Belletto, Coda, trans. Alyson Waters

Films

  • Will Success Spoil Rock Hunter?, directed by Frank Tashlin

Exhibits

  • Museu Monográfico de Conimbriga, Condeixa-a-Nova, Portugal
  • Núcleo Museológico, Castelo de São Jorge, Lisbon, Portugal

july 16–july 31

Books

  • Victor Pelevin, The Yellow Arrow, translated by Andrew Bromfield
  • Alberto Moravia, Two Friends, trans. Marina Harss
  • Alberto Moravia, Conjugal Love, trans. Marina Harss
  • Charlotte A. E. Moberly & Eleanor F. Jourdain, An Adventure
  • César Aira, The Literary Conference, trans. Katherine Silver
  • César Aira, Ghosts, trans. Chris Andrews
  • Michael Allen Zell, Errata
  • Bruno Schulz, The Street of Crocodiles, trans. Jerzy Ficowski
  • Erih Koš, The Strange Story of the Great Whale, Also Known as Big Mac, trans. Lovett F. Edwards
  • Joshua Beckman & Jon Beacham, Porch Light (lamp and chair)
  • Sacheverell Sitwell, Portugal and Madeira
  • Norman Douglas, Some Limericks
  • Datus C. Proper, The Last Old Place: A Search Through Portugal

Films

  • You Can Count on Me, directed by Kenneth Lonergan
  • Laws of Gravity, dir. Nick Gomez
  • Boccaccio ’70, dir. Mario Monicelli, Federico Fellini, Luchino Visconti & Vittorio De Sica

Exhibits

  • “Last Things & Other Forms: Herbert Pfostl & Jon Beacham,” 222 Roebling Street
  • “The Dawn of Egyptian Art,” Met
  • “Ellsworth Kelly: Plant Drawings,” Met
  • “Paintings on Parchment: Italian Renaissance Illuminations from the Robert Lehman Collection,” Met

july 1–july 15

Books

  • John Ashbery, April Galleons
  • Julio Cortázar, The Winners, trans. Elaine Kerrigan
  • Erica Baum, Dog Ear
  • Amaranth Borsuk, Handcraft
  • Cees Nootebaum, The Following Story, trans. Ina Rilke

Films

  • Naked Lunch, directed by David Cronenberg
  • Charade, dir. Stanley Donen
  • Magic Mike, dir. Steven Soderbergh
  • Der amerikanische Soldat (The American Soldier), dir. Rainer Werner Fassbinder
  • Das blaue Licht (The Blue Light), dir. Leni Riefenstahl
  • Lisbon Story, dir. Wim Wenders

june 16–june 30

Books

  • Ben Gocker, The Pisces
  • Anthony Madrid, I Am Your Slave Now Do What I Say
  • Clarice Lispector, The Hour of the Star, trans. Benjamin Moser
  • Mary Gaitskill, Veronica
  • St. Augustine, Confessions, trans. R. S. Pine-Coffin

Films

  • Les Vampires, directed by Louis Feuillade
  • M. Butterfly, dir. David Cronenberg

Exhibits

  • “Carl Andre/John Wesley: Serial Forms,” Mitchell-Innes & Nash
  • “Hélio Oiticica: Penetrables,” Galerie Lelong
  • “Rachel Harrison: The Help,” Greene Naftali
  • “Heinrich Kuehn and his American Circle: Alfred Stieglitz and Edward Steichen,” Neue Galerie
  • “Gustav Klimt: 150th Anniversary Celebration,” Neue Galerie
  • “Sharon Lockhart | Noa Eshkol,” LACMA
  • “Children of the Plumed Serpent: The Legacy of Quetzalcoatl in Ancient Mexico,” LACMA
  • “Chris Burden: Metropolis II,” LACMA
  • “Michael Heizer: Levitated Mass,” LACMA

june 1–june 15

Books

  • William Carlos Williams, Paterson
  • Leonard Koren, Making Wet: The Magazine of Gourmet Bathing
  • W. G. Sebald, Vertigo, trans. Michael Hulse
  • Stan Mir, Song & Glass
  • W. G. Sebald, The Emigrants, trans. Michael Hulse

Films

  • The Bat Whispers, directed by Roland West
  • The Mission, dir. Roland Joffé
  • Dark Victory, dir. Edmund Goulding
  • The Gay Divorcee, dir. Mark Sandrich
  • Prometheus, dir. Ridley Scott
  • Quatermass and the Pit, dir. Roy Ward Baker

Exhibits

  • “An Accumulation of Information Taken from Here to There,” Sperone Westwater
  • “William Wegman: Artists Including Me,” Sperone Westwater
  • “Hannah Whitaker: The Use of Noise,” Thierry Goldberg Gallery
  • “Ecstatic Alphabets/Heaps of Language,” MOMA

may 16–may 31

Books

  • Diane Williams, Excitability: Selected Stories 1986–1996
  • Alison Bechdel, Are You My Mother?: A Comic Drama
  • Tatyana Tolstaya, The Slynx, trans. Jamey Gambrell
  • Kenneth Anger, Hollywood Babylon

Films

  • Wild Combination: A Portrait of Arthur Russell, directed by Matt Wolf
  • Céline et Julie vont en bateau (Céline and Julie Go Boating), dir. Jacques Rivette
  • The People vs. Paul Crump, dir. William Freidkin
  • Thin Blue Line, dir. William Freidkin
  • To Live and Die in L.A., dir. William Freidkin
  • Impressionen unter Wasser, dir. Leni Riefensthal
  • Purple Rain, dir. Albert Magnoli

Exhibits

  • “Italian Futurists: Concepts and Imaginings,” NYU Casa Italiana Zerilli Marimò
  • “Storied Past: Four Centuries of French Drawings from the Blanton Museum of Art,” Grey Art Gallery
  • “Soledad Arias: On Air,” RH Gallery
  • “Text in Process,” RH Gallery
  • “Ugly Duckling Presse,” RH Gallery
  • “Domenico Gnoli: Paintings 1964–1969,” Luxembourg & Dayan
  • “Edouard Vuillard: A Painter and His Muses, 1890–1940,” Jewish Museum
  • “Picasso and Françoise Gilot: Paris–Vallauris 1943–1953,” Gagosian
  • “Bound: Hans Bellmer & Unica Zürn,” Ubu Gallery
  • “Frank Stella: New Work,” FreedmanArt
  • “Larry Rivers: Later Works,” Tibor de Nagy
  • “Francesca Woodman,” Guggenheim
  • “Tomás Saraceno: Cloud City,” Met
  • “Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo,” Met

the sacred fount, reduced

“Gertrude Stein was a great reader. In novels, Henry James’s for instance, characters talk, and in their nuances lurk the subtlest intricacies of the author’s web. Imagine a text of a novel, say James’s The Sacred Fount (1901), from which everything has been extracted except the dialogue.”

(Guy Davenport, “Late Gertrude,” p. 189 in The Hunter Gracchus)

Following Guy Davenport’s suggestion, here’s a version of Henry James’s The Sacred Fount from which everything has been extracted except the dialogue. A print-on-demand version can be purchased at Lulu; or, download a PDF version for free.

may 1–may 15

Books

  • Buzz Poole, I Like to Keep My Troubles on the Windy Side of Things
  • Jerzy Kosinski, Steps
  • Elizabeth Smart, By Grand Central Station I Sat Down and Wept
  • Diane Williams, It Was Like My Trying to Have a Tender-Hearted Nature
  • Clarice Lispector, A Breath of Life, trans. Johnny Lorenz
  • Clarice Lispector, Água Viva, trans. Stefan Tobler
  • Clarice Lispector, The Passion According to G. H., trans. Idra Novey
  • Enrique Vila-Matas, Dublinesque, trans. Anne McLean & Rosalind Harvey

Films

  • Tiny Furniture, dir. Lena Dunham
  • The Fly, dir. David Cronenberg

Exhibits

  • Whitney Biennial
  • “Frank Stella: Black, Aluminum, Copper Paintings,” L & M Arts

april 16–april 30

Books

  • Harry Mathews, The Conversions
  • James McCourt, Wayfaring at Waverly in Silver Lake
  • Teju Cole, Open City
  • Eugene Lim, Fog & Car
  • Robert Kelly, Kill the Messenger
  • Robert Walser, The Walk, trans. Christopher Middleton & Susan Bernofsky

Films

  • Habemus Papam (We Have a Pope), directed by Nanni Moretti
  • Ruggles of Red Gap, dir. Leo McCarey
  • The Two Mrs. Carrolls, dir. Peter Godfrey
  • Marguerite de la nuit, dir. Claude Autant-Lara
  • The Sound of My Voice, dir. Zal Batmanglij

Exhibits

  • “Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art,” Met
  • “Naked before the Camera,” Met