Books

• Robert Kelly, Under Words
• Robert Kelly, A Transparent Tree: Fictions
• Damon Krukowski, The Memory Theater Burned

Exhibits

• “The Making of Americans,” James Gallery, CUNY

Films

• My Fair Lady, directed by George Cukor
• A Flirt’s Mistake, dir. George Nichols
• The Knockout, dir. Charles Avery
• The Rounders, dir. Charles Chaplin
• Leading Lizzie Astray, dir. Roscoe Arbuckle
• Hot Saturday, dir. William A. Seiter
• Torch Singer, dir. Alexander Hall & George Somnes
• Saturday Night Fever, dir. John Badham
• Angst vor der Angst (Fear of Fear), dir. Rainer Werner Fassbinder

Books

• Marcel Allain, Juve in the Dock, trans. A. R. Allinson
• Marcel Allain, Fantômas Captured, trans. A. R. Allinson
• Marcel Allain, The Revenge of Fantômas, trans. Afred Allison
• Mario Bellatin, Beauty Salon, trans. Kurt Hollander
• Mario Bellatin, Chinese Checkers: Three Fictions, trans. Cooper Renner
• Victor Papanek, Design for the Real World: Human Ecology and Social Change
• Marcel Allain, The Yellow Document, or Fantômas of Berlin, trans. unknown
• Anna Maria Ortese, The Iguana, trans. Henry Martin
• Dino Buzzati, Larger Than Life, trans. Henry Reed
• Carlo Levi, The Linden Trees, trans. Joseph M. Bernstein
• Dino Buzzati, Restless Nights, trans. Lawrence Venuti

Books

• Giuseppi Gioachino Belli, The Roman Sonnets of Giuseppi Gioachino Belli, trans. Harold Norse
• Raymond Roussel, Locus Solus, trans. Rupert Copeland Cuningham
• Harry Mathews, Trial Impressions
• Harry Mathews, Armenian Papers: Poems 1954–1984
• Harry Mathews, The New Tourism
• Robert Seydal, Book of Ruth
• Mark Ford, Soft Sift

Films

• The Hangover Part II, directed by Todd Phillips
• L’Illusionniste (The Illusionist), dir. Syvain Chomet
• Hold Me While I’m Naked, dir. George Kuchar
• Pink Flamingos, dir. John Waters
• Fughe e approdi (Return to the Aeolian Islands), dir. Giovanni Taviani
• One Lucky Elephant, dir. Lisa Leeman
• The Trip, dir. Michael Winterbottom

Exhibits

• “Temporary Antumbra Zone,” Janet Kurnatowski Gallery
• “Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore,” Jewish Museum
• “Maira Kalman: Various Illuminations (of a Crazy World),” Jewish Museum
• “Richard Serra Drawing: A Retrospective,” Met
• “Eugene Von Bruenchenhein: ‘Freelance Artist—Poet and Sculptor—Inovator—Arrow maker and Plant man—Bone artifacts constructor—Photographer and Architect—Philosopher’,” American Folk Art Museum
• “Ryoji Ikeda: The Transfinite,” Park Avenue Armory

Books

• William Burroughs, Queer
• Florence Delay, Patrick Deville, Jean Echenoz, Harry Mathews, Mark Polizzotti, Sonja Greenlee & Olivier Rolin, S. (trans. Mark Polizzotti & Matthew Escobar
• Jonathan Williams, Uncle Gus Flaubert Rates the Jargon Society: In One Hundred One Laconic Présalé Sage Sentences
• J. G. Ballard, The Wind from Nowhere
• Christopher Priest, The Inverted World

Films

• Caught, directed by Max Ophüls
• The Reckless Moment, dir. Max Ophüls
• Night of the Demon, dir. Jacques Tourneur
• Curse of the Demon, dir. Jacques Tourneur
• Heaven Can Wait, dir. Ernst Lubitsch
• The Tree of Life, dir. Terrence Mallick
• Abbott & Costello Meet Frankenstein, dir. Charles Barton
• Mystery Team, dir. Dan Eckman
• Nénette, dir. Nicolas Philibert
• The Gold Ghost, dir. Charles Lamont
• Allez Oop, dir. Charles Lamont
• Palooka from Paducah, dir. Charles Lamont
• One Run Elmer, dir. Buster Keaton
• Hayseed Romance, dir. Charles Lamont
• Tars and Stripes, dir. Charles Lamont
• The E-Flat Man, dir. Charles Lamont
• The Timid Young Man, dir. Mack Sennett
• Three on a Limb, dir. Charles Lamont
• Grand Slam Opera, dir. Charles Lamont
• Blue Blazes, dir. Raymond Kane
• The Chemist, dir. Al Christie
• Mixed Magic, dir. Raymond Kane
• Jail Bait, dir. Charles Lamont
• Ditto, dir. Charles Lamont
• Love Nest on Wheels, dir. Charles Lamont

Books

• Harry Stephen Keeler, The Marceau Case
• Harry Stephen Keeler, The Wonderful Scheme of Christopher Thorne
• Harry Stephen Keeler, Y. Cheung, Business Detective
• J. G. Ballard, The Drowned World

Films

• Bridesmaids, directed by Paul Feig
• Walking Tall, dir. Phil Karlson
• Charley Varrick, dir. Don Siegel
• Blind Husbands, dir. Erich von Stroheim
• The Great Gabbo, dir. James Cruze & Erich von Stroheim
• Hellboy, dir. Guillermo del Toro
• Scott Pilgrim vs. the World, dir. Edgar Wright
• Die Austernprinzessin (The Oyster Princess), dir. Ernst Lubitsch

Exhibits

• “Apichatpong Weerasethakul: Primitive,” New Museum
• “The Incongruous Image: Marcel Broodthaers and Liliana Porter,” New Museum
• “Lynda Benglis,” New Museum

Books

• Harry Stephen Keeler, X. Jones— of Scotland Yard
• Zachary Mason, The Lost Books of the Odyssey
• Thomas McGonigle, Going to Patchogue
• Barbara Comyns, Who Was Changed and Who Was Dead
• Guy Maddin, My Winnipeg
• Philip K. Dick, Ubik

Films

• The Cave of Forgotten Dreams, directed by Werner Herzog
• 細雪 (The Makioka Sisters), dir. Kon Ichikawa
• Meet John Doe, dir. Frank Capra

Exhibits

• “Jean Crotti: Inhabiting Abstraction,” Francis M. Naumann Fine Arts
• “Romare Bearden: Collage, A Centennial Celebration,” Michael Rosenfeld Gallery
• “Decadence & Decay: Max Beckmann, Otto Dix, George Grosz,” Galerie St. Etienne
• “Willem de Kooning: The Figure: Movement and Gesture,” Pace Gallery
• “Subodh Gupta: A Glass of Water,” Hauser & Wirth
• “Eva Hesse and Sol LeWitt,” Craig F. Starr
• “Robert Morris: 1934 and Before,” Leo Castelli
• “Arshile Gorky: 1947,” Gagosian
• “Sol LeWitt: Structures and Drawings,” Barbara Mathes Gallery
• “Francis Alÿs: A Story of Deception,” MoMA

Books

• Renee Gladman, Event Factory
• Sergio De La Pava, Personae
• Arthur Machen, The Great God Pan

Films

• Never Let Me Go, directed by Mark Romanek
• Grand Hotel, dir. Edmund Goulding
• Easy A, dir. Will Gluck

Exhibits

• “On Becoming an Artist: Isamu Noguchi and His Contemporaries, 1922–1960,” Noguchi Museum
• “German Expressionism: The Graphic Impulse,” MoMA
• “Joseph Kosuth: ‘Texts (Waiting for-) for Nothing’ Samuel Beckett, in play,” Sean Kelly Gallery
• “Chris Marker: Passengers,” Peter Blum Chelsea

Books

• Sharifa Rhodes-Pitts, Harlem Is Nowhere: A Journey to the Mecca of Black America
• Daniel Hernandez, Down & Delirious in Mexico City: The Aztec Metropolis in the Twenty-First Century
• Jorge Semprun & Alain Resnais, Stavisky . . . (trans. Sabine Destrée)

Films

• Tales from the Gimli Hospital, directed by Guy Maddin
• The Dead Father, dir. Guy Maddin
• Even – As You and I, dir. Roger Barlow, Harry Hay & LeRoy Robbins
• Canyon Passage, dir. Jacques Tourneur
• Fashions of 1934, dir. William Dieterle
• Roman Scandals, dir. Frank Tuttle
• The Kid from Spain, dir. Leo McCarey

Exhibits

• “Martin Kippenberger: Eggman II,” Skarstedt Gallery
• “Günther Uecker: The Early Years,” L & M Arts
• “Friedrich Schröder-Sonnenstern: From Barefoot Profit to Avant-Garde Artist,” Michael Werner Gallery
• “Malevich and the American Legacy,” Gagosian
• “Touched: A Space of Relations,” Bitforms Gallery
• “Chris Marker: Passengers,” Peter Blum Soho
• “Cosima von Bonin: The Juxtaposition of Nothings,” Friedrich Petzel
• “Hermann Nitsch: Die Apotheke/The Pharmacy,” Leo Koenig
• “Rirkrit Tiravanija: Fear Eats the Soul,” Gavin Brown’s Enterprise

Books

• Louis Lüthi, The Self-Reflexive Page
• Paul Bartsch, Mollusks
• Jacques Sternberg, Sexualis ’95, trans. Lowell Blair

Films

• Anatomy of a Murder, directed by Otto Preminger
• Safety Last!, dir. Fred C. Newmeyer & Sam Taylor
• Hospital Fragment, dir. Guy Maddin
• Sweetgrass, dir. Lucien Castaing-Taylor
• Trick Baby, dir. Larry Yust
• Homebodies, dir. Larry Yust
• Месть кинематографического оператора (The Cameraman’s Revenge), dir. Ladislas Starevich 
• Владислàв Алексàндрович Старèвич (The Insect’s Christmas), dir. Ladislas Starevich 
• La Voix du rossignol (Voice of the Nightingale), dir. Ladislas Starevich 
• Les Grenouilles qui demandent un roi (Frogland), dir. Ladislas Starevich 
• Fétiche Mascotte (The Mascot), dir. Ladislas Starevich 
• Carrousel Boréal (Winter Carousel), dir. Ladislas Starevich 

Exhibits

• “Sergej Jensen,” MoMA PS1
• “Rembrandt and His School: Masterworks from the Frick and Lugt Collections,” Frick
• “Rooms with a View: The Open Window in the 19th Century,” Met

Books

• Rebecca West, Survivors in Mexico
• Anthony Birley, ed., Lives of the Later Caesars: The First Part of the Augustan History, with Newly Compiled Lives of Nerva and Trajan
• Kazuo Ishiguro, Never Let Me Go

Films

• Flesh for Frankenstein, directed by Paul Morrissey
• Blood for Dracula, dir. Paul Morrissey