noted

  • A good piece at Design Observer (most interesting there in a long time, I think) by Martha Scotford about the publication and design of Ulysses. Most interesting slide: an advertisement in the Saturday Review of Literature where Random House explained “How to Enjoy James Joyce’s Great Novel Ulysses“.
  • Three stories by Robert Walser, translated by Damion Searls, as part of Vice‘s fiction issue (there’s a lot of other worthwhile content there too). And it’s been noted elsewhere, but the Christine Burgin Gallery has information about the forthcoming English edition of Walser’s microscripts.
  • Scott Bryan Wilson is publishing chapbooks under a familiar name.
  • A new story by Gabriel Josipovici at Litro.

december 16–december 20

Books

Films

  • Gods and Monsters, directed by Bill Condon
  • My Son, My Son, What Have Ye Done?, dir. Werner Herzog
  • Ricky, dir. François Ozon
  • Red-Headed Woman, dir. Jack Conway
  • Waterloo Bridge, dir. James Whale
  • La mujer sin cabeza (The Headless Woman), dir. Lucrecia Martel
  • La flor de mi secreto (The Flower of My Secret), dir. Pedro Almodóvar

Exhibits

  • “Francis Picabia: Funny Guy,” Tibor de Nagy Gallery
  • “Fairfield Porter: Paintings,” Tibor de Nagy Gallery
  • “Kazuo Shiraga: Six Decades,” McCaffrey Fine Art
  • “Gerhard Richter: Abstract Paintings 2009,” Marian Goodman Gallery
  • “Paul McCarthy: White Snow,” Hauser & Wirth
  • “Cy Twombly: Eight Sculptures,” Gagosian
  • “Jörg Immendorff: Maoist Paintings – The Early Seventies,” Michael Werner Gallery

december 6–december 10

Books

Films

  • Mujeres al borde de un ataque de nervios (Women on the Verge of a Nervous Breakdown), directed by Pedro Almodóvar
  • ¡Átame! (Tie Me Up! Tie Me Down!), dir. Pedro Almodóvar
  • The Impatient Maiden, dir. James Whale
  • Sinners in Paradise, dir. James Whale
  • By Candlelight, dir. James Whale

Exhibits

  • “Gabriel Orozco,” MoMA

the lack of common measure between the desires of individuals and the means to satisfy them

“The character in A Man Asleep, by way of contrast, appears to have ‘read’ too much. To be precise, he reaches the end of his tether somewhere on page 112 on Raymond Aron’s Eighteen Lectures on the Industrial Society. Whilst the contents of page 112 of that book might well induce sleepiness when read in a stuffy garret on a hot day in May, that page is otherwise quite unexceptional. But perhaps we are not reading the same book. The Eighteen Lectures was published in 1963. It consists of actual lectures for first-year sociology students at the Sorbonne, first delivered in 1955–56. The first ‘edition’ was a cyclostyled volume (‘polycop’), distributed by the Centre de Documentation Universitaire, on page 112 of which the eye is caught by the isolated middle paragraph that concludes with the statement ‘It is poverty that humanity, as a whole, still suffers from today. Poverty, defined simply by the lack of common measure between the desires of individuals and the means to satisfy them.’ That is where Things begins.”

(Andrew Leak, “Phago-citations: Barthes, Perec, and the Transformation of Literature,” p. 133 in in George Perec issue of the Review of Contemporary Fiction, spring 2009.)

december 2–december 5

Books

Films

  • Zazie dans le métro, directed by Louis Malle
  • ¿Qué he hecho yo para merecer esto!! (What Have I Done to Deserve This?), dir. Pedro Almodóvar
  • Kika, dir. Pedro Almodóvar
  • Nosotros, los pobres, dir. Ismael Rodríguez
  • The Invisible Man, dir. James Whale
  • Up in the Air, dir. Jason Reitman

Exhibits

  • “Walton Ford: New Work,” Paul Kasmin Gallery
  • “Kaz Oshiro: Setting Sun,” Yvon Lambert
  • “Robert Ryman,” Yvon Lambert
  • “Drawn Together: Chiharu Shiota/GEGO,” Goff + Rosenthal
  • “Perlstein/Held: Five Decades,” Betty Cunningham Gallery
  • “Dan Fischer: Unique Forms of Continuity in Space,” Derek Eller Gallery
  • “Paul Chan: Sade for Sade’’s Sake,” Greene Naftali
  • “Wallace Berman: 1927–1976,” Nicole Klagsbrun
  • “Lynda Benglis: New Work,” Chiem & Read
  • “Jiří Kolář: The Poetics of Silence,” Pavel Zoubok
  • “Richard Serra: Blind Spot/Open Ended,” Gagosian
  • “Alighiero e Boetti: Mappa,” Barbara Gladstone Gallery
  • “George Maciunas: 7 Paintings from the 1950s and Graphic Works,” Maya Stendhal Gallery
  • “Spazialismo,” Bitforms
  • “Dan Flavin: Series and Progressions,” David Zwirner

the true cause of the collapse

“The true cause of the collapse of the Colossus, a cause that even today threatens so many other famous monuments with extinction, was pointed out by Ennio Flaiano in his Diario notturno. ‘It is generally believed that the Colossus of Rhodes collapsed in an earthquake. This is not the whole story. The Colossus of Rhodes collapsed owing to the verbiage that tourists, in addition to their names, scratched into the pedestal and which, increasing over the centuries in number and vulgarity, undermined its resistance. The earthquake achieved only that little that remained to be done.’ ”

(Aldo Buzzi, p. 13 in The Perfect Egg and Other Secrets, trans. Guido Waldman.)