Books

• Julien Gracq, The Opposing Store, trans. Richard Howard
• Susan Howe, That This
• Maggie Nelson, Bluets
• William Gass, On Being Blue
• Andrew Taylor, God’s Fugitive: The Life of C. M. Doughty

Films

• Gilda, dir. King Vidor
• The General, dir. Clyde Bruckman & Buster Keaton
• The Awful Truth, dir. Leo McCarey
• Network, dir. Sidney Lumet
• Honeymoon Hotel, dir. Tony Ganz & Rhody Streeter
• Sincerely, Joe P. Bear, dir. Matt McCormick
• From Alex to Alex, dir. Alison Kobayashi
• Eros c’est Lamour, dir. Bradley Eros & Tim Geraghty
• Synchronized Fountain #2, Dubai, dir. Peggy Ahwesh
• Valentine for Perfect Strangers, dir. Ben Coonley
• Tying the Knot, dir. Jacqueline Goss
• Yard Work Is Hard Work, dir. Jodie Mack
• People In Order #3: Love, dir. Lenka Clayton & James Price
• Legend of the Lost, dir. Henry Hathaway
• Cluny Brown, dir. Ernst Lubitsch
• Ménilmontant, dir. Dimitri Kirsanoff
• Lot in Sodom, dir. James Sibley Watson & Melville Webber
• Überfall, dir. Ernö Metzner
• Laura, dir. Otto Preminger
• Vincere, dir. Marco Bellochio
• The Thin Blue Line, dir. Errol Morris
• Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr., dir. Errol Morris
• Manhatta, dir. Charles Sheeler & Paul Strand
• H₂O, dir. Ralph Steiner
• Exotica, dir. Atom Egoyan

Exhibits

• “Cézanne’s Card Players,” Met Museum
• “Picasso: Guitars 1912–1914,” MoMA
• “Michelle Stuart: Works from the 1960s to the Present,” Salomon Contemporary
• “112 Greene Street: A Nexus of Ideas in the Early 70s,” Salomon Contemporarly
• “112 Greene Street: The Early Years (1970–1974),” David Zwirner
• “Sculpture in So Many Words: Text Pieces 1960–75,” ZieherSmith
• “Cornelia Parker: Rorschach (Accidental III),” D’Amelio Terras
• “Alyson Shotz: Wavelength,” Derek Eller Gallery
• “Ellsworth Kelly: Reliefs 2009–2010,” Matthew Marks Gallery
• “Heinz Mack: Early Metal Reliefs 1957-1967,” Sperone Westwater
• “Italian Paintings from the 17th & 18th Centuries,” Sperone Westwater
• “Lee Lozano: Tools,” Hauser & Wirth
• “T. R. Ericsson: Étant donnés 2°,” Francis M. Naumann