noted

  • Tan Lin has an event at the Kelly Writers House for his exciting new Seven Controlled Vocabularies; I won’t be able to make it, but I’ve written a couple of pieces for his editing pleasure. See also: Thom Donovan’s piece in Harriet; an interview with Tan Lin in Bomb; his online appendix to the book; and the Amazon page for the book, with blurbs in the reader review section.
  • Everyone should go see Ben Vershbow’s production of Bartleby at Triple Canopy; on Sunday, it follows a reading by Joshua Cohen and Joseph McElroy, also very much recommended; I wish I were going to be in town.
  • A long interview with Guy Maddin about his films and books; Michael Silverblatt comes up.

noted

noted

noted

  • 106 Green, a building/gallery in Greenpoint is putting on a show based on Georges Perec’s Life A User’s Manual (up on Sundays from March 7–April 4).
  • A fine historical essay by Robin Kinross on the problems of book glue and bindings.
  • Ben Vershbow’s put together a fantastic online, annotated version of Candide for the NYPL.
  • John Ashbery is in the TLS this week.
  • From the archives of the New York Times: a letter from Pamela Moore, author of Chocolates for Breakfast, defending Gombrowicz’s Ferdydurke. (See also Robert Nedelkoff’s Facebook group.)

noted

  • Marjorie Perloff’s consideration of Guy Davenport in Sibila is interesting in her focus on how his book reviews functioned.
  • More Guy Davenport: an essay by Jeet Heer at Sans Everything considers Davenport as a cartoonist. Missed this before.
  • And the Abbeville Press edition of the Codex Seraphinianus seems to be online in its entirety. One assumes this won’t last very long, as Rizzoli has it back in print; buy your own copy here (which comes with a “Recodex” booklet compiling criticism of the work, including the Italo Calvino introduction). One notes as well that Serafini seems to have written an introduction to an Italian edition of Jules Renard’s Natural Histories published last year.