not only/but also

Having transferred the one to the other
And living on the plain of insistent self-knowledge
Just outside the great city, I see many
Who come and go, and being myself involved in distant places
Ask how they adjust to
The light that rains on the traveler’s back
And pushes out before him. It is always “the journey,” 
And we are never sure if these are preparations
Or a welcome back to the old circle of stone posts.

That was there before the first invention
And now seems a place of vines and muted shimmers
And sighing at noon
As opposed to

The terrain of stars, the robe
Of only that journey. You adjusted to all that
Over a long period of years. When we next set out
I had spent years in your company
And was now turning back, half amused, half afraid,
Having in any case left something important back home
Which I could not continue without,
An invention so simple I could never figure out
How they spent so many ages without discovering it.
I would have found it, altered it
To be my shape, probably in my own lifetime,
In a decade, in just a few years.

(John Ashbery, from As We Know.)

may 16–may 31

Books

  • Diane Williams, Excitability: Selected Stories 1986–1996
  • Alison Bechdel, Are You My Mother?: A Comic Drama
  • Tatyana Tolstaya, The Slynx, trans. Jamey Gambrell
  • Kenneth Anger, Hollywood Babylon

Films

  • Wild Combination: A Portrait of Arthur Russell, directed by Matt Wolf
  • Céline et Julie vont en bateau (Céline and Julie Go Boating), dir. Jacques Rivette
  • The People vs. Paul Crump, dir. William Freidkin
  • Thin Blue Line, dir. William Freidkin
  • To Live and Die in L.A., dir. William Freidkin
  • Impressionen unter Wasser, dir. Leni Riefensthal
  • Purple Rain, dir. Albert Magnoli

Exhibits

  • “Italian Futurists: Concepts and Imaginings,” NYU Casa Italiana Zerilli Marimò
  • “Storied Past: Four Centuries of French Drawings from the Blanton Museum of Art,” Grey Art Gallery
  • “Soledad Arias: On Air,” RH Gallery
  • “Text in Process,” RH Gallery
  • “Ugly Duckling Presse,” RH Gallery
  • “Domenico Gnoli: Paintings 1964–1969,” Luxembourg & Dayan
  • “Edouard Vuillard: A Painter and His Muses, 1890–1940,” Jewish Museum
  • “Picasso and Françoise Gilot: Paris–Vallauris 1943–1953,” Gagosian
  • “Bound: Hans Bellmer & Unica Zürn,” Ubu Gallery
  • “Frank Stella: New Work,” FreedmanArt
  • “Larry Rivers: Later Works,” Tibor de Nagy
  • “Francesca Woodman,” Guggenheim
  • “Tomás Saraceno: Cloud City,” Met
  • “Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo,” Met

the sacred fount, reduced

“Gertrude Stein was a great reader. In novels, Henry James’s for instance, characters talk, and in their nuances lurk the subtlest intricacies of the author’s web. Imagine a text of a novel, say James’s The Sacred Fount (1901), from which everything has been extracted except the dialogue.”

(Guy Davenport, “Late Gertrude,” p. 189 in The Hunter Gracchus)

Following Guy Davenport’s suggestion, here’s a version of Henry James’s The Sacred Fount from which everything has been extracted except the dialogue. A print-on-demand version can be purchased at Lulu; or, download a PDF version for free.

may 1–may 15

Books

  • Buzz Poole, I Like to Keep My Troubles on the Windy Side of Things
  • Jerzy Kosinski, Steps
  • Elizabeth Smart, By Grand Central Station I Sat Down and Wept
  • Diane Williams, It Was Like My Trying to Have a Tender-Hearted Nature
  • Clarice Lispector, A Breath of Life, trans. Johnny Lorenz
  • Clarice Lispector, Água Viva, trans. Stefan Tobler
  • Clarice Lispector, The Passion According to G. H., trans. Idra Novey
  • Enrique Vila-Matas, Dublinesque, trans. Anne McLean & Rosalind Harvey

Films

  • Tiny Furniture, dir. Lena Dunham
  • The Fly, dir. David Cronenberg

Exhibits

  • Whitney Biennial
  • “Frank Stella: Black, Aluminum, Copper Paintings,” L & M Arts

april 16–april 30

Books

  • Harry Mathews, The Conversions
  • James McCourt, Wayfaring at Waverly in Silver Lake
  • Teju Cole, Open City
  • Eugene Lim, Fog & Car
  • Robert Kelly, Kill the Messenger
  • Robert Walser, The Walk, trans. Christopher Middleton & Susan Bernofsky

Films

  • Habemus Papam (We Have a Pope), directed by Nanni Moretti
  • Ruggles of Red Gap, dir. Leo McCarey
  • The Two Mrs. Carrolls, dir. Peter Godfrey
  • Marguerite de la nuit, dir. Claude Autant-Lara
  • The Sound of My Voice, dir. Zal Batmanglij

Exhibits

  • “Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art,” Met
  • “Naked before the Camera,” Met

april 1–april 15

Books

  • Alan Singer, The Inquisitor’s Tongue
  • Massimo Bontempelli, Separations: Two Novels of Mothers and Children, trans. Estelle Gilson
  • João Fernandes, François Piron, Patrick Besnier & Annie Le Brun, eds., Locus Solus. Impressions of Raymond Roussel

Films

  • L’amour à mort (Love unto Death), directed by Alain Resnais
  • Melancholia, dir. Lars von Trier
  • Another Earth, dir. Mike Cahill
  • A Dangerous Method, dir. David Cronenberg
  • Giulietta degli spiriti (Juliet of the Spirits), dir. Federico Fellini

Exhibits

  • “Beryl Korot: Selected Video Works: 1977 to Present,” Bitforms
  • “Michelangelo Pistoletto: Lavoro,” Luhring Augustine
  • “Speakers’ Corners,” Eyebeam
  • “Mamiko Otsubo: Idea/Equivalent,” Horton Gallery
  • “John Evans: 1984,” Pavel Zoubok
  • “Guðjón Ketilsson: Extensions of the Head: sculptures & works on paper,” Luise Ross
  • “Iran do Espírito Santo,” Sean Kelly Gallery

reductive arguments

“Coming away from a violent discussion at Magny’s, my heart pounding in my breast, my throat and tongue parched, I feel convinced that every political argument boils down to this: ‘I am better than you are’, every literary argument to this: ‘I have more taste than you’, every argument about art to this: ‘I have better eyes than you’, every argument about music to this: ‘I have a finer eat than you’. It is alarming to see how, in every discussion, we are always alone and never make converts. Perhaps that is why God made us two.”

(Edmond & Jules de Goncourt, journal entry for 8 June 1863, trans. Robert Baldick.)

march 16–march 31

Books

  • Tommaso Landolfi, Gogol’s Wife & Other Stories, trans. Raymond Rosenthal, John Longrigg & Wayland Young
  • Tommaso Landolfi, Words in Commotion, and Other Stories, trans. Kathrine Jason
  • Tommaso Landolfi, An Autumn Story, trans. Joachim Neugroschel
  • Rachel Levitsky, Under the Sun
  • Harry Thurston, A Ship Portrait
  • Anne Carson, Glass, Irony & God
  • Edmund White, Jack Holmes & His Friend
  • Siddhartha Deb, The Beautiful and the Damned: A Portrait of the New India
  • Julio Cortázar, A Change of Light, and other stories
  • Alison Knowles, Spoken Text
  • Alison Knowles, Footnotes: collage journal 30 years

Films

  • Meek’s Cutoff, directed by Kelly Reichardt
  • Only Angels Have Wings, dir. Howard Hawks
  • Götter der Pest (Gods of the Plague), dir. Rainer Werner Fassbinder
  • La vie est un roman (Life Is a Bed of Roses), dir. Alain Resnais
  • On Approval, dir. Clive Brook
  • La piel que habito (The Skin I Live In), dir. Pedro Almodóvar

Exhibits

  • “Eugène Atget: Documents pour artistes,” MoMA
  • “Exquisite Corpses: Drawing and Disfiguration,” MoMA
  • “Print/Out,” MoMA
  • “Millennium Magazines,” MoMA
  • “Nomads and Networks: The Ancient Art and Culture of Kazakhstan,” Institute for the Study of the Ancient World
  • “Rembrandt and Degas: Portrait of the Artist as a Young Man,” Met
  • “Spies in the House of Art: Photography, Film, and Video,” Met
  • “Natalie Czech: ‘I have nothing to say. Only to show.’ ” Ludlow 38