the very notion of jackson heights

“Flitting along the beds, Miss Hancock reached a patch, as yet practically unravished, before which a couple of dames were discussing a forthcoming divorce – an obstinate wife, it seemed, that refused to reside in Jackson Heights. . . . ‘my dear, she swears nothing on God’s earth will make her mount there; she quite hates the neighbourhood; the very notion of Jackson Heights makes her dizzy!’ ”

(Ronald Firbank, The New Rythum and Other Pieces, p. 100.)

firbank’s juvenilia

From a fragment of a short story written at the age of about twelve:

Mrs Keston put the dog in its basket, tidid her hair before a mirror, langwidley sat down and calved a chicken.

[A girl at a boarding school told to eat up the underdone beef she had left on her plate replies:]
‘I have quite enough blood in my family without going to a bullock for more.’ ”

(Ronald Firbank, The New Rythum and Other Pieces, p. 115.)

noted

  • Louis Adamic’s article on the founding of Black Mountain College can be found in the April 1936 issue of Harper’s (w/ rebuttal by Bernard DeVoto in the same issue).
  • Portraits of students and faculty at Black Mountain College by Hazel Larsen Archer (at the Black Mountain College Museum + Art Center).
  • At the California Literary Review, an interview with Paul Collins on, among other things, the past, present, and future relationship of publishing and the marketplace.
  • Marjorie Welish on “In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976” at the New York Observer.

noted

  • J. M. Coetzee on mathematics and poetry at Notices of the AMS, recommending especially the concrete poetry of Carl Andre and Emmett Williams. (See also Coetzee reading from Summertime at the NYRB podcast.)
  • László Krasznahorkai has a short story in The Guardian.
  • At Jacket, Douglas Piccinnini on John Ashbery in Paris with special reference to Locus Solus; also see Declan Spring on the rediscovery of Alvin Levin.
  • Tom La Farge reviews The noulipian Analects at EXPLORINGfictions with reference to Duchamp and Roussel.
  • .